I am from a place, Haiti, that constantly evokes nostalgia in the people who have seen it, lived in it, and loved it “before”...The blessings of our … - Edwidge Danticat

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I am from a place, Haiti, that constantly evokes nostalgia in the people who have seen it, lived in it, and loved it “before”...The blessings of our islands are also our curse. Our geography gives us year-round sun and beautiful beaches, but more and more in the age of climate change, we are on the front line of destruction. “We are a people” seems to be what we have been saying for generations to all our colonizers and invaders who seemed intent on destroying us. And now more than ever, Mother Nature, too. We are a people, the Arawaks and Taínos might have said, even as they died trying to prove it.

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About Edwidge Danticat

Edwidge Danticat (born January 19, 1969) is a Haitian-American novelist and short story writer.

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Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. Coming from where I come from, with the history I have having spent the first twelve years of my life under both dictatorships of Papa Doc and his son, Jean-Claude-this is what I've always seen as the unifying principle among all writers. This is what, among other things, might join Albert Camus and Sophocles to Toni Morrison, Alice Walker, Osip Mandelstam, and Ralph Waldo Emerson to Ralph Waldo Ellison. Somewhere, if not now, then maybe years in the future, a future that we may have yet to dream of, someone may risk his or her life to read us. Somewhere, if not now, then maybe years in the future, we may also save someone's life (or mind) because they have given us a passport, making us honorary citizens of their culture.

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in terms of being immigrants, especially from a place like Haiti, when we see — you know, we see the cholera, we see the earthquake. I think people forget that there’s also this wonderful and powerful history of revolt, of resilience, of resistance, and this wonderful art that’s followed in its wake that has this great beauty to offer to the world.

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