I would say that globally, readers and the industry that has been built around them are becoming privy to our stories and the skill in which they’re … - Cherie Dimaline

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I would say that globally, readers and the industry that has been built around them are becoming privy to our stories and the skill in which they’re told and preserved. We’re going through a pretty brutal learning curve right now because Indigenous literature is unlike any other, and the rules are different. It’s why we’re having to call out writers and stories that are harmful or that misrepresent. The resulting skirmishes over “free speech” and “appropriation” were bound to happen since this is new territory to the publishing world and there’s no precedent. Many of our stories are ceremony, history, teachings, and cannot be mishandled. We are a generous people and [we] share, but [our stories are] not out there to be “cherry picked” and morphed.

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About Cherie Dimaline

Cherie Dimaline (/ʃəˈri ˈdɪməlaɪn/) (born 2 July 1975) is an award-winning writer of fiction. She is a member of the Georgian Bay Métis Council of the Métis Nation of Ontario.

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There must always be connection to nation when we tell stories. Taking a pan-Indigenous approach doesn’t work. Taking a colonial viewpoint doesn’t work. This changes the narrative of specific nations and is highly problematic. It leads to misunderstanding, misrepresentation, and stereotypes.

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