Yet, no matter how deeply I go down into myself, my God is dark, and like a webbing made of a hundred roots that drink in silence. - Rainer Maria Rilke

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Yet, no matter how deeply I go down into myself, my God is dark, and like a webbing made of a hundred roots that drink in silence.

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About Rainer Maria Rilke

René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 – 29 December 1926), better known as Rainer Maria Rilke, was a Bohemian-Austrian poet and novelist, generally considered the German language's greatest poet of the 20th century. His writings include one novel, several collections of poetry and several volumes of correspondence in which he invokes images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude and anxiety. These themes position him as a transitional figure between traditional and modernist writers.

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Also Known As

Alternative Names: René Karl Wilhelm Johann Josef Maria Rilke René Maria Cäsar Rilke Rainer Karl Wilhelm Johann Josef Maria Rilke Li-erh-kʻo Rainer Maria Rielke René Rilke Rainer Mariyah Rilḳeh Rainŏ Maria Rilkʻe Reiner Marie Rilke Rene Karl Wilhelm Johann Josef Maria Rilke Rene Rilke
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Additional quotes by Rainer Maria Rilke

Physical pleasure is a sensual experience no different from pure seeing or the pure sensation with which a fine fruit fills the tongue; it is a great unending experience, which is given us, a knowing of the world, the fullness and the glory of all knowing. And not our acceptance of it is bad; the bad thing is that most people misuse and squander this experience and apply it as a stimulant at the tired spots of their lives and as distraction instead of a rallying toward exalted moments.

In the end, those who were carried off early no longer need us: they are weaned from earth's sorrows and joys, and as gently as children outgrow the soft breasts of their mothers. But we, who do need such great mysteries, we for whom grief is so often the source of our spirit's growth — : could we exist without them?

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How shall I hold on to my soul, so that it does not touch yours? How shall I lift it gently up over you on to other things? I would so very much like to tuck it away among long lost objects in the dark, in some quiet, unknown place, somewhere which remains motionless when your depths resound. And yet everything which touches us, you and me, takes us together like a single bow, drawing out from two strings but one voice. On which instrument are we strung? And which violinist holds us in his hand? O sweetest of songs.

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