I spent the winter [1859-1860, when he was painting 'Orfée et Euridice'] in the Elysian fields, where I was very happy; you must admit that if painti… - Jean-Baptiste Camille Corot

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I spent the winter [1859-1860, when he was painting 'Orfée et Euridice'] in the Elysian fields, where I was very happy; you must admit that if painting is a folly, it’s a sweet folly that men should not only forgive but seek out.

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About Jean-Baptiste Camille Corot

Jean-Baptiste-Camille Corot (16 July 1796 – 22 February 1875) was a French landscape and portrait painter as well as a printmaker in etching and famous art teacher in Paris. Corot was a leading figure in the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism

Also Known As

Alternative Names: Jean-Baptiste-Camille Corot Jean-Baptiste Corot Camille Jean-Baptiste Corot Camille Jean Baptiste Corot Kamilʹ Koro Camille-Jean-Baptiste Corot Kamill Korot Kamill Koro J.-B. Camille Corot Keluo Jean Baptiste Camille Corot Camille Corot Pére Corot Corot Pere Corot Jean-Baptiste C. Corot C. Corot camille-j.-b. corot Jean B. C. Corot J.B. Camille Corot J. B. Camille Corot jbc corot j. b. c. corot J.B.C. Corot B. C. Corot jean baptiste corot i. b. c. corot Jean Bapt. Corot J.-B. Corot c. corot j. t. P. corot J. B. C. Corot corot jean baptiste camille Jean Baptiste C. Corot jean baptist corot jean bapt. camille corot Jean B. Cam. Corot Jean Bapt. Camille Corot j. b. camille corot jean-bapt. camille corot j. b. corot j.b. corot camille corot corot camilie-jean-baptiste j.b.c. corot Jean Bapt. C. Corot jean baptist camille corot corot j.b.c. b. camille corot jean camille corot corot j. b. c.
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Additional quotes by Jean-Baptiste Camille Corot

My spirits.. ..now lean towards sadness and melancholy. I too am beginning to feel my age. Then, as one moves on in life sorrows multiply, and necessarily it is harder to keep cheerful.. .[I experienced] violent disappointments, that I might even call grief.

The first two things to study are form and values. For me, these are the bases of what is serious art. Color and finish put charm into one’s work.. ..it seems to me very important to begin by an indication of the darkest values (assuming that the canvas is white), and to continue in order to the lightest value. From the darkest to the lightest I would establish twenty shades.. .Never lose sight of that first impression by which you were moved. Begin by determining your composition. Then the values – the relation of the forms to the values. These are the basis. Then the color, and finally the finish.

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I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.

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