[I]n 1938, Superman appeared. He had been mailed to the offices of National Periodical Publications from Cleveland, by a couple of Jewish boys who had imbued him with the powers of a hundred men, of a distant world, and of the full measure of their bespectacled adolescent hopefulness and desperation.
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In the January, 1933 issue of "SCIENCE FICTION" appeared a story I had written in 1932 entitled, "The Reign of the Superman." I used the pseudonym "Herbert S. Fine" which combined the name of a cousin of mine together with my mother's maiden name. After the publication of "Reign of the Superman", it occurred to me that a different version of Superman could be the basis of an extremely powerful and successful comic book. And so I originated, together with Joe Shuster, the comic book "THE SUPERMAN", back in 1933.
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Superman is nothing more than a popular retelling of the Christ story, or Greek mythology. It's an archetype, watered down and made in vivid colors for twelve-year-old's mentality. It's pop mythology, which extends to the actor, then seeps over to a demand that that actor reflect the needs of the worshipers. The worship doesn't only go on in the temples — it goes on in the streets, and restaurants, in magazines. But, you know, I'm from New Jersey, I'm not from Olympus or Krypton, so back off 'cause I can't take the responsibility.
This is an imaginary story (which may never happen, but then again may) about a perfect man who came from the sky and did only good. It tells of his twilight, when the great battles were over and the great miracles long since performed; of how his enemies conspired against him and of that final war in the snowblind wastes beneath the Northern Lights; of the women he loved and of the choice he made between them; of how he broke his most sacred oath, and how finally all the things he had were taken from him save one. It ends with a wink. It begins in a quiet midwestern town, one summer afternoon in the quiet midwestern future. Away in the big city, people still sometimes glance up hopefully from the sidewalks, glimpsing a distant speck in the sky... but no: it's only a bird, only a plane — Superman died ten years ago. This is an imaginary story... aren't they all?
When Superman and Batman came to Japan, it was right after the war, right? Together with the G.I.s. In other words, our height and theirs was completely different. We were totally overwhelmed physically, and got this complex about being unable to compete with White people. It was just then that Superman arrived, the White man’s representative, and I thought who the hell does he think he is? And then Lois Lane, the classic American beauty. Even her outfit and her makeup were like a foreign woman’s. Of course today Japanese make themselves up more like foreigners than foreigners do. Ha ha ha.
Then I stumbled upon Max and Dave Fleischer’s Superman cartoons. They were beautiful, even a small black and white TV. The scene that lit up my brain like a Christmas tree showed Superman use his cape to protect Lois Lane from a cascade of molten metal. Rather than being angry at her for getting in trouble, he was gentle and brave and saved her. I imprinted on that moment like a baby duck and my child’s mind folded around a sudden understanding.
No, Superman was never going to be my father but if I worked at it really hard maybe day could become Superman. (32)
Because it all derived from Superman. I mean, I love all the characters, but Superman is just this perfect human pop-culture distillation of a really basic idea. He's a good guy. He loves us. He will not stop in defending us. How beautiful is that? He's like a sci-fi Jesus. He'll never let you down. And only in fiction can that guy actually exist, because real guys will always let you down one way or another. We actually made up an idea that beautiful. That's just cool to me. We made a little paper universe where all of the above is true.
There is another reason why Superman has had good influence. That is the years of continuity of the Superman character. The children know that Superman will always come out on the right side. On that, I can give you another story about what they wanted to do. At the end of the Second World War we had the problem of a certain number of soldiers coming home as amputees. One of the script writers got the bright idea that we ought to prepare children for their fathers coming home as amputees by having one of the characters─ I don’t think it was Superman ─ one of the others ─ have an accident and lose his leg. They wanted to know what I thought about that idea. I said I thought it was absolutely terrible because I felt that the children loved this character and, after all, how many children were going to have to face the question of an amputee father? Certainly there are far better ways of preparing such children for such a father than to have to shock the whole comic reading children public. So I disapproved of it.
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