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" "In my opinion, the answer to what makes a reluctant reader is the lack of motivation in the home; non-reading parents, lack of verbal communication, working parents too tired to answer questions, lack of books around the house, and too much dependence on television for entertainment. But the reluctant reader must learn to read, and that is left to the school. The school is not without fault in failing him. Too much stress on pedagogical reading material has left no room for reading for pleasure; in fact it has destroyed any incentive for it. Somewhere on the way, the individuality of the child has been lost in the effort to make of him just "teaching material." Classes that are too large have made matters worse. Lucky is the child from such a group that finds the public library and discovers its picture book or reading hours.
Pura Belpré (February 2, 1899 – July 1, 1982) was the first Puerto Rican librarian in New York City, as well as a writer, collector of folktales, and puppeteer.
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Statehood will destroy Puerto Rico's national identity in short order, while the present Commonwealth system will destroy it as surely, though more slowly...I repeat now the words that I wrote to my distinguished friend Don Luis Ferré in a public letter, October 6, 1964: God save the children of Puerto Rico from the day when they have to be protected from discrimination practiced against them by people of alien origin in the schools of their own land.
Research is always necessary for accuracy in a story. But once you begin the process of writing a story, forget the attitude of the researcher and become the storyteller. Divide your mind into three parts, because with every sentence, every scene, and every chapter, you must be thinking of three things at the same time. One part of you lives with the hero or heroine of the story. Crawl into his mind and stay there, seeing the world through his eyes. The second part of you must be able to look around the corner, past the days, the months, and the years ahead to the final scene. The third part of you must be thinking of your reader, for your story will not happen on paper; it will happen first in the imagination of your reader. What you commit to paper should be geared to making the story live for him. So think of the reader. Likewise, there are three general things to remember about your readers. First, don't tell them anything show them...Second, writing for your reader is like going on a picnic. Both writing and picnics take a bit of planning...Third, remember that your reader is primarily interested in plot.
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I would also make the following general suggestions. Don't get enthralled with your own vocabulary. Avoid flashbacks. Remember that children's dreams are often outsized. Don't forget the magnificent sweep of the imagination and dreams of youth; when a boy comes only to a man's shoulders, his dreams are tall. Through all the hardships and heartbreaks, these dreams often become realities. And last of all, when writing for adolescents, remember that they know more, feel more, and understand more than some grown-ups realize.