Maurice Sendak Quotes

You cannot write for children. They're much too complicated. You can only write books that are of interest to them.

Children do live in fantasy and reality; they move back and forth very easily in a way we no longer remember how to do.

An illustration is an enlargement, and interpretation of the text, so that the reader will comprehend the words better. As an artist, you are always serving the words.

You must never illustrate exactly what is written. You must find a space in the text so that the pictures can do the work. Then you must let the words take over where words do it best. It’s a funny kind of juggling act.

I remember my own childhood vividly ... I knew terrible things. But I knew I mustn't let adults know I knew. It would scare them.

The ripeness was a letter that John Keats wrote to his brother who emigrated to America describing what it was like to have a peach or piece of a peach in his mouth. And it's one of the sexiest things you will ever read of how slow you should take the peach. Don't rush it. Let it go through your palette. Let it lie on your tongue. Let it melt a little bit. Let it run from the corners. It's like describing the most incredible sex orgy. And then, you bite. But, it must be so ripe. It must be so delicious. In other words, you must not waste a second of this deliciousness which for him was life and being a great poet. That you savor every, everything that happened. I want to get ripe.

The day after Paul Newman was dead, he was twice as dead.

I have nothing now but praise for my life. I'm not unhappy. I cry a lot because I miss people. They die and I can't stop them. They leave me and I love them more. ... What I dread is the isolation. ... There are so many beautiful things in the world which I will have to leave when I die, but I'm ready, I'm ready, I'm ready.

I can't believe I've turned into a typical old man. I can't believe it. I was young just minutes ago.

Hitler made a film about "Hitler gives a camp to the Jews". And they look all shiny. And they're drawing. And they're playing volleyball. And people are dancing. And people are having a wonderful time. And everybody fell for it.

Yes. I'm not unhappy about becoming old. I'm not unhappy about what must be. It makes me cry only when I see my friends go before me and life is emptied. I don't believe in an afterlife, but I still fully expect to see my brother again. And it's like a dream life. I am reading a biography of Samuel Palmer, which is written by a woman in England. I can't remember her name. And it's sort of how I feel now, when he was just beginning to gain his strength as a creative man and beginning to see nature. But he believed in God, you see, and in heaven, and he believed in hell. Goodness gracious, that must have made life much easier. It's harder for us nonbelievers.
But, you know, there's something I'm finding out as I'm aging that I am in love with the world. And I look right now, as we speak together, out my window in my studio and I see my trees and my beautiful, beautiful maples that are hundreds of years old, they're beautiful. And you see I can see how beautiful they are. I can take time to see how beautiful they are. It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. You know, I don't think I'm rationalizing anything. I really don't. This is all inevitable and I have no control over it.

It is sometimes hard to be a family.

"A book is really like a lover. It arranges itself in your life in a way that is beautiful. Even as a kid, my sister, who was the eldest, brought books home for me, and I think I spent more time sniffing and touching them than reading. I just remember the joy of the book, the beauty of the binding. The smelling of the interior. Happy."

[Interview with Emma Brockes, The Believer, November/December, 2012]

"And now," cried Max, "let the wild rumpus start!"

Truthfullness to life — both fantasy life and factual life — is the basis of all great art.

There is a standard theory about childhood that everybody works from, and critics check whether a picture book has followed the 'rules' about what is right for children, or what is healthy for children, or what we think is right and healthy for children. This comes into conflict all the time with those things that are mysterious. Children are much more catholic in taste; will tolerate ambiguities, peculiarities, and things illogical; will take them into their unconscious and deal with them as best they can.