I believe there is no part of our lives, our adult as well as child life, when we're not fantasizing, but we prefer to relegate fantasy to children, as though it were some tomfoolery only fit for the immature minds of the young. Children do live in fantasy and reality; they move back and forth very easily in a way we no longer remember how to do.

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Certainly we want to protect our children from new and painful experiences that are beyond their emotional comprehension and that intensify anxiety; and to a point we can prevent premature exposure to such experiences. That is obvious. But what is just as obvious — and what is too often overlooked — is the fact that from their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustrations as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things.

We all know how loving ends. But I want to fall in love with the world anyway. To let it crack me open. I want to feel what there is to feel. While I am here.

There is a standard theory about childhood that everybody works from, and critics check whether a picture book has followed the 'rules' about what is right for children, or what is healthy for children, or what we think is right and healthy for children. This comes into conflict all the time with those things that are mysterious. Children are much more catholic in taste; will tolerate ambiguities, peculiarities, and things illogical; will take them into their unconscious and deal with them as best they can.

I have nothing now but praise for my life. I am not unhappy. I cry a lot because I miss people. They die and I can't stop them. They leave me and I love them more...There are so many beautiful things in this world which I will have to leave when I die, but I'm ready, I'm ready, I'm ready.

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My big concern is me and what do I do now until the time of my death. That is valid. That is useful. That is beautiful. That is creative. And also, I want to be free again. I want to be free like when I was a kid … Where we just had fun. What I mean by this is I've had my career. I've had my success. God willing, it should have happened to Herman Melville who deserved it a great deal more, you know? Imagine him being on Bill Moyers' show. Nothing good happened to Herman Melville. I want to see me to the end working, living for myself. "Ripeness is all." Now, interpreting what ripeness is our own individual problem. … So, what is the point of it all? Not leaving legacies. But being ripe. Being ripe.

We've educated children to think that spontaneity is inappropriate. Children are willing to expose themselves to experiences. We aren't. Grownups always say they protect their children, but they're really protecting themselves. Besides, you can't protect children. They know everything.

And he sailed off through night and day
And in and out of weeks
And almost over a year
To where the wild things are.

I remember my own childhood vividly..I knew terrible things. But I knew I mustn't let adults know I knew. It would scare them. (In conversation with Art Spiegelman, The New Yorker, September 27, 1993)

We are flooded with books; books come pouring out of the publishing meat grinder. And, the quality has dropped severely. We may be able to print a book better, but intrinsically the book, perhaps, is not better than it was. We have a backlist of books, superb books, by Margaret Wise Brown, by Ruth Krauss, by lots of people. I’d much rather we just took a year off, a moratorium: no more books. For a year, maybe two — just stop publishing. And get those old books back, let the children see them! Books don’t go out of fashion with children; they only go out of fashion with adults. So that kids are deprived of the works of art which are no longer around simply because new ones keep coming out.

from The Openhearted Audience (1980)

I have nothing now but praise for my life. I'm not unhappy. I cry a lot because I miss people. They die and I can't stop them. They leave me and I love them more...What I dread is the isolation. ... There are so many beautiful things in the world which I will have to leave when I die, but I'm ready, I'm ready, I'm ready.

An illustrator in my own mind — and this is not a truth of any kind — is someone who so falls in love with writing that he wishes he had written it, and the closest he can get to is illustrating it. And the next thing you learn, you have to find something unique in this book, which perhaps even the author was not entirely aware of. And that’s what you hold on to, and that’s what you add to the pictures: a whole Other Story that you believe in, that you think is there.

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I remember my own childhood vividly ... I knew terrible things. But I knew I mustn't let adults know I knew. It would scare them.