American illustrator and writer of children's books (1928-2012)
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An illustrator in my own mind — and this is not a truth of any kind — is someone who so falls in love with writing that he wishes he had written it, and the closest he can get to is illustrating it. And the next thing you learn, you have to find something unique in this book, which perhaps even the author was not entirely aware of. And that’s what you hold on to, and that’s what you add to the pictures: a whole Other Story that you believe in, that you think is there.
There is a standard theory about childhood that everybody works from, and critics check whether a picture book has followed the 'rules' about what is right for children, or what is healthy for children, or what we think is right and healthy for children. This comes into conflict all the time with those things that are mysterious. Children are much more catholic in taste; will tolerate ambiguities, peculiarities, and things illogical; will take them into their unconscious and deal with them as best they can.
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If I have an unusual gift, it’s not that I draw particularly better than other people — I’ve never fooled myself about that. Rather it’s that I remember things other people don’t recall: the sounds and feelings and images — the emotional quality — of particular moments in childhood. Happily an essential part of myself — my dreaming life — still lives in the light of childhood.