But is this not what poetry must do? To say the nothing that cannot be said? - John Crowley

Prosper's earliest memory was of hearing the enormous Hoover starting up somewhere in the house, brand-new then possibly, anyway unknown to him, an inexplicable noise at once a roar and shriek and coming closer; moving away; closer again, and evidently seeking him out where he lay in bed. Then to find the great gray floor-sucker thing entering his room, manipulated by his grim-faced mother, therefore not dangerous at all, maybe.

In a moment of silence they simply looked at each other, and understanding hummed, thundered within Smoky as he realized what had happened; not only had he fallen in love with her, and at first sight, but she at first sight had fallen in love with him, and the two circumstances had this effect: his anonymity was being cured. Not disguised, as George Mouse had tried to do, but cured, from the inside out. That was the feeling. It was as though she stirred him with cornstarch. He had begun to thicken.

After many trials the God and his love end happily — tho' not all remember this conclusion — which is less memorable than the moment when everything was lost. Happy endings are all alike; disasters may be unique.