The psychotic drowns in the same waters in which the mystic swims with delight. - Joseph Campbell

The inflated ego of the tyrant is a curse to himself and his world – no matter how his affairs may prosper. Self-terrorized, fear-haunted, alert at every hand to meet and battle back the anticipated aggressions of his environment, which are primarily the reflections of the uncontrollable impulses to acquisition within himself. The giant of self-achieved independence is the world’s messenger of disaster, even though, in his mind, he may entertain himself with humane intentions.

Woman, in the picture language of mythology, represents the totality of what can be known. The hero is the one who comes to know. As he progresses in the slow initiation which is life, the form of the goddess undergoes for him a series of transfigurations: she can never be greater than himself, though she can always promise more than he is yet capable of comprehending. She lures, she guides, she bids him burst his fetters. If he can match her import, the two, the knower and the known, will be released from every limitation. Woman is the guide to the sublime acme of sensuous adventure. By deficient eyes she is reduced to inferior states; by evil eyes of ignorance, she is reduced to banality and ugliness. But she is redeemed by the eyes of understanding. The hero who can taker her as she is, without undue commotion but with the kindness and assurance she requires, is potentially the king, the incarnate god, of her created world.

If myth is translated into literal fact, then myth is a lie. But if you read it as a reflection of the world inside you, then it’s true. Myth is the penultimate truth.