"As to animals," said the Count unexpectedly, "whatever one says, I maintain that the rodent family has a certain charm about it." "The rodent family… - Yukio Mishima
"As to animals," said the Count unexpectedly, "whatever one says, I maintain that the rodent family has a certain charm about it."
"The rodent family . . . ?" replied the Baron, not getting the drift at all.
"Rabbits, marmots, squirrels, and the like."
"You have pets of that sort, sir?"
"No, sir, not at all. Too much of an odor. It would be all over the house."
"Ah, I see. Very charming, but you wouldn't have them in the house, is that it?"
"Well, sir, in the first place, they seem to have been ignored by the poets, d'you see. And what has no place in a poem has no place in my house. That's my family rule."
"I see."
"No, I don't keep them as pets. But they're such fuzzy, timid little creatures that I can't help thinking there's no more charming animal."
"Yes, Count, I quite agree."
"Actually, sir, every charming creature, no matter what sort, seems to have a strong odor."
"Yes, indeed, sir. I believe one might say so."
English
Collect this quote
About Yukio Mishima
Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.
Biography information from Wikiquote
Also Known As
Pen Names:
榊山保
•
三島由紀夫
Native Name:
三島 由紀夫
•
平岡 公威
Alternative Names:
Mishima Yukio
•
Kimitake Hiraoka
•
Hiraoka Kimitake
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Yukio Mishima
Works in ChatGPT, Claude, or Any AI
Add semantic quote search to your AI assistant via MCP. One command setup.
Honda... knew that to retain Kiyoaki's affection he must check the unthinking roughness that friendship ordinarily permitted. He had to treat him as warily as one would a freshly painted wall, on which the slightest careless touch would leave an indelible fingerprint. Should the circumstances demand it, he would have to go so far as to pretend not to notice Kiyoaki's mortal agony. Especially if such assumed obtuseness served to point up the elegance that would surely characterize Kiyoaki's ultimate suffering. At such moments, Honda could even love Kiyoaki for the look of mute appeal in his eyes. Their beautiful gaze seemed to hold a plea: leave things as they are, as gloriously undefined as the line of the seashore.
Loading...