To write a book is to risk being shot at in public. - Stendhal

In Paris, Julien’s position with regard to Madame de Renal would very soon have been simplified; but in Paris love is the child of the novels. The young tutor and his timid mistress would have found in three or four novels, and even in the lyrics of the Gymnase, a clear statement of their situation. The novels would have outlined for them the part to be played, shown them the model to copy; and this model, sooner or later, albeit without the slightest pleasure, and perhaps with reluctance, vanity would have compelled Julien to follow.

In a small town of the Aveyron or the Pyrenees, the slightest incident would have been made decisive by the ardour of the climate. Beneath our more sombre skies, a penniless young man, who is ambitious only because the refinement of his nature puts him in need of some of those pleasures which money provides, is in daily contact with a woman of thirty who is sincerely virtuous, occupied with her children, and never looks to novels for examples of conduct. Everything goes slowly, everything happens by degrees in the provinces: life is more natural.

It should be explained that the cure of Verrieres, an old man of eighty, but blessed by the keen air of his mountains with an iron character and strength, had the right to visit at any hour of the day the prison, the hospital, and even the poorhouse. It was at six o'clock in the morning precisely that M. Appert, who was armed with an introduction to the cure from Paris, had had the good sense to arrive in an inquisitive little town. He had gone at once to the presbytery.

Prudery is a kind of avarice, the worst of all.