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" "I am able to approach the Buddhas barefoot and undisturbed, my feet in wet grass, wet sand. Then the silence of the extraordinary faces. The great smiles. Huge and yet subtle. Filled with every possibility, questioning nothing, knowing everything, rejecting nothing, the peace not of emotional resignation but of Madhyamika, of sunyata, that has seen through every question without trying to discredit anyone or anything — without refutation — without establishing some other argument. For the doctrinaire, the mind that needs well-established positions, such peace, such silence, can be frightening.
Thomas Merton (31 January 1915 – 10 December 1968) was one of the most influential Catholic authors of the 20th century. A Trappist monk of the Abbey of Our Lady of Gethsemani, in the U.S. state of Kentucky, Merton was an acclaimed Catholic theologian, poet, author and social activist.
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My Lord God, I have no idea where I am going. I do not see the road ahead of me. I cannot know for certain where it will end. Nor do I really know myself, and the fact that I think I am following your will does not mean that I am actually doing so. But I believe that the desire to please you does in fact please you. And I hope I have that desire in all that I am doing. I hope that I will never do anything apart from that desire. And I know that if I do this you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
There is a logic of language and a logic of mathematics. The former is supple and lifelike, it follows our experience. The latter is abstract and rigid, more ideal. The latter is perfectly necessary, perfectly reliable: the former is only sometimes reliable and hardly ever systematic. But the logic of mathematics achieves necessity at the expense of living truth, it is less real than the other, although more certain. It achieves certainty by a flight from the concrete into abstraction. Doubtless, to an idealist, this would seem to be a more perfect reality. I am not an idealist. The logic of the poet — that is, the logic of language or the experience itself — develops the way a living organism grows: it spreads out towards what it loves, and is heliotropic, like a plant. A tree grows out into a free form, an organic form. It is never ideal, only free; never typical, always individual.
I make monastic silence a protest against the lies of politicians, propagandists, and agitators, and when I speak it is to deny that my faith and my church can ever be aligned with these forces of injustice and destruction. But it is true, nevertheless, that the faith in which I believe is also invoked by many who believe in war, believe in racial injustices, believe in self-righteous and lying forms of tyranny. My life must, then, be a protest against these also, and perhaps against these most of all.