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Chris [Cornell, Soundgarden's vocalist] and I got married in '90 and we've been together since '85. We learned, luckily, sort of early on, that we ne… - Susan Silver
" "Chris [Cornell, Soundgarden's vocalist] and I got married in '90 and we've been together since '85. We learned, luckily, sort of early on, that we needed to make time for business and that I couldn't bring business home every day, as was my inclination. It was such an exciting time time for me in the late-eighties and early-nineties; they were pretty unbelievable. Just to feel things brewing in the late-eighties without having the goal of ' we're gonna make this into an international superstardom'. But just that it was growing and we were all gathering experience and momentum. And those were really exciting times that I wanted to talk about twenty-four hours a day. I needed to learn not to bring business home so I wouldn't strictly represent business every time I walked in the door. [Chris and I] just created boundaries. Our relationship is a little-known secret because it's nobody's fuckin' business [laughing]!
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About Susan Silver
Susan Jean Silver (born July 17, 1958) is an American music manager, best known for managing Seattle rock bands such as Soundgarden, Alice in Chains and Screaming Trees. Silver also owns the company Susan Silver Management, and co-owns the club The Crocodile in Seattle.
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Susan Jean Silver
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Additional quotes by Susan Silver
When the bands and the Seattle scene started taking off, I had been at it for so long that it felt very natural - it was just 'this is another day in the life'. Not having been through it before, there wasn't the perspective to say,' Oh my God, we're in the eye of the hurricane.' It was just, 'This is what we do today. Okay, just one more thing. One more thing to accomplish today'. I guess the part that felt...the only thing that started to feel strange, this could be strange or this could be detrimental to people, was when the press started taking pot shots at people personally. Digging for dirt in the artists' private lives, being exploitative of the artist. That was the hardest part. Suddenly this private world that we had was public. Which was okay, that was exciting, except when the press got...when they looked for sensational avenues to report on. Which there wasn't for a long time. There really wasn't [any]. They had to keep coming back and saying, 'I guess all they know how to do up there is make amazing music'. Which is what continues to happen. The Seattle backlash and highly circulated reports that there was nothing new in Seattle after '93 just keep getting proved wrong again and again. I love that.
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The shirtlessness? I never even thought about it. Honest to God, it's just what he does. Love is blind, I suppose. The female attention never fuffled me. I felt we had such security in our relationship then that it never occured to me. I remember a show in Philadelphia in the early '90s, some girl got on her boyfriend's shoulder and was screaming, "Chris, I wanna fuck you!" or some other equally poetic phrase. Come on. You're embarrassing out entire sisterhood here.
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