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Four decades after the mullahs created the Khomeinist republic their revolution has not produced a single poet worth the name. Khomeini and Khamenei,… - Amir Taheri
" "Four decades after the mullahs created the Khomeinist republic their revolution has not produced a single poet worth the name. Khomeini and Khamenei, both amateur poets, have produced nothing but frankly embarrassing imitations of classical ghazal without its charm. The last remaining great poets of the pre-revolution era are all in exile, among them Hushang Ebtehaj, Manuchehr Yektai, Yadollah Roya’i, Esmail Khoi, Muhammad Jalali, and Hadi Khorsandi. Inside Iran, some promising younger poets such as Sa’id Sultanpour, Heydar Mehregan, and, more recently, Hashem Shaabani were executed by the regime but gained posthumous popularity greater than any officially endorsed poet. At the same time, almost all of Iran’s poets, from the 9th century to this day, are either censored or, in rare cases, totally banned by the mullahs. Most poets of the past 100 years are on various blacklists established by the oxymoronically named Ministry of Islamic Guidance and Culture. And, yet, Khamenei calls on the government to prepare a plan, and allocate resources, to increase the production of poetry as if it were the same as centrifuges churning out enriched uranium.
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About Amir Taheri
Amir Taheri (born 9 June 1942) is an Iranian-born conservative author based in Europe. His writings focus on the Middle East affairs and topics related to Islamist terrorism, and have been the subject of many controversies involving fabrications in his writings.
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Before Khamenei, many failed poets who achieved political power tried to dictate to poets, among them the Qajar Nassereddin Shah and the Chinese despot Mao Zedong. They failed because poetry has a magic genius that defies attempts at definition let alone dictation. Poetry is like love, Rilke wrote to his imaginary young poet, everyone knows what it is but no one can agree on a definition. Khamenei, aged 77, no longer fits the image of Rilke’s young poet. Nevertheless, maybe for his next birthday someone could give him a copy of Rilke’s magical essay. (Two excellent Persian translations are available.)
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For centuries, Ottoman sultans dreamed of conquest in the name of Islam. When they failed on the battlefield they sought glory in building mosques. Eighty years after the Caliphate was abolished to make way for a Western-style republic, the tradition is being revived by Turkey’s current leaders. Led by the ebullient Recep Tayyip Erdogan and inspired by an ideological hodgepodge labeled “neo-Ottomanism,” they are using urban architecture to kill the European dream of secular Turks. Mustafa Kemal Ataturk, the founder of the republic, adopted the Latin alphabet, purged Turkish of Arabic words and brought mosques and religious endowments under state control. He also enlisted a team of French ethnologists to invent the myth of a Turkish nation related to Hungarians and Finns and stretching from Central Europe to Central Asia. For decades, Turkey’s Islamists tried to undo as much of Ataturk’s “reforms” as possible but failed because a majority of Turks would not vote for a party with an Islamist agenda. Erdogan solved that problem by uniting some 20 different Islamist groups into a new party that made no mention of Islam.
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