(Which writers — novelists, playwrights, critics, journalists, poets — working today do you admire most?) Tash Aw, Niq Mhlongo, Rachel Seiffert, Mary Gaitskill, David Szalay, Leila Aboulela, Dave Eggers, Tracy K. Smith, Tessa Hadley, Richard Flanagan, Claire Messud, James Lasdun, Ta-Nehisi Coates, Vivian Gornick, the late Bharati Mukherjee, Deborah Levy, John Gregory Brown, Amit Chaudhuri, Nawal El Saadawi, Margo Jefferson, Jesmyn Ward, Lynn Nottage, Janet Malcolm, Jamaica Kincaid, Alice Walker, Peter Orner, Susan Orlean.

(Which writers – novelists, playwrights, critics, journalists, poets – working today do you admire most?) there are so many: Jacqueline Woodson; Colson Whitehead; Celeste Ng; Natalie Bakopoulos; Justin St. Germain; Molly Antopol; J. M. Tyree; Michael McGriff; Quan Barry; Kevin Young; Jericho Brown; Clint Smith; Daniel José Older; and Kima Jones are a few.

(Which writers — novelists, playwrights, critics, journalists, poets — working today do you admire most?) Luis Rodriguez, Edwidge Danticat, Natalie Diaz, Rigoberto González, Virginia Grise, Joy Harjo, Helena Maria Viramontes, Lois-Ann Yamanaka, Denise Chávez, Manuel Muñoz, Dorothy Allison, Levi Romero, John Phillip Santos, Charles M. Blow, Jorge Ramos, Carmen Aristegui, Elena Poniatowska, Luis Alfaro and every Mexican journalist who puts their life in danger by writing the truth. And, I hear a chavalo named Lin-Manuel in New York is pretty good.

(Which writers — novelists, playwrights, critics, journalists, poets — working today do you admire most?) For novelists, I’m a forever-fan of Sabaa Tahir. Her debut fantasy — “An Ember in the Ashes” — was the epic tale that inspired me to write “Children of Blood and Bone.” It moved me in ways a story hadn’t moved me before and gave me a chance to imagine a fantasy world with characters I’d never gotten to see before. For journalists, Shaun King. The work Shaun does for the black community is incredible. I respect his strength, tenacity and passion, and I admire him deeply for the commitment to getting our stories out.

(Who is your favorite novelist of all time? And your favorite novelist writing today?) All time — Emily Brontë, author of the greatest psychological novel ever written, with the most complex character ever conceived...My favorite novelist working today is our greatest living writer, Toni Morrison. Nothing compares with her lyrical, heart-wrenching, gorgeous prose.

my favorite writers are, right now Merce Rodoreda, Grace Paley, Juan Rulfo, Manuel Puig, Marguerite Duras - these are my favorite writers. I'm trying to reach that world level. I think that we should always aim for that level.

I love so many different writers from different eras. But a few—of, really, zillions, so this is an incomplete list—would be Herman Melville, Mark Twain, Ralph Ellison, Jamaica Kincaid, Toni Morrison, Percival Everett, Philip Roth and Junot Díaz on the novel side and, lord, the poets—too many to even mention. But right now I’m re-reading and re-reading Robert Hayden’s poems, which are absolutely beautiful and brilliant...I think Amiri Baraka’s work made me want to write poems too. Especially his beautiful poem, “An Agony. As Now.” A really, really beautiful poem.

(Are there other English language writers who mean a lot to you?) NG: Well, of course, Shakespeare. And I love George Eliot as well. I’ve read the major authors, but in Italian, not English. Perhaps my favorite English novelist is Jane Austen. I hardly know contemporary American literature. The two American authors I love most, who are by now dead, alas, are Carson McCullers and Flannery O’Connor. And then I love Fitzgerald and Hemingway—especially the Hemingway of the stories...When Edgar Lee Masters’s Spoon River Anthology came out in Italian, suddenly there was widespread interest in North American writing. But even before that Pavese was busy introducing us all to the great American writers.

(Who are currently your favorite writers, be they Argentine, Latin American or from elsewhere?) AG: Borges, of course. Borges always. Balzac, also always. Alejo Carpentier, Clarice Lispector, Armonía Somers, Juan Rulfo, Mercé Rodoreda, Grace Paley, Marcel Proust. Oh, so many people, so many!

(Why have there been so few really great women writers?) EW: Well, I think there have been not a few great women writers, of course, Jane Austen. I don't see how anyone could have a greater scope in knowledge of human nature and reveal more of human nature than Jane Austen. Consider Virginia Woolf. The Brontës. Well, you know as many as I do: great women writers.

The contemporary fiction I read is mostly by Black, queer, and Black and queer writers. There are some extraordinary people working right now and there are scenes in literary fiction being published that I know wouldn’t have been published five years ago. But they probably would have 45 years ago. Tommy Orange, Torrey Peters, Nana Kwame Adjei-Brenyah, Maisy Card are all extraordinary. Art is cyclical – it’s less about getting better, and more about looking for those books and pieces that have always done what I described above – inviting people into a conversation, always going deeper. They’re out there. They just aren’t necessarily a part of “the canon” and definitely aren’t regularly taught to others. Simone Schwarz-Bart’s The Bridge of Beyond; Michelle Cliff’s No Telephone to Heaven; Carlene Hatcher Polite’s The Flagellants are all books like this.

Recently the things that I’ve enjoyed reading are writers from Africa, like Maaza Mengiste, Yvonne Adhiambo Owuor. These are people who are doing brilliantly well I think, and in both of those cases, they’ve just published their second novels. So very early in their writing careers. But also I admire writers like J.M. Coetzee, Nuruddin Farah, Michael Ondaatje, I can name several.

My favorite writers have been those who’ve said things well. I used to study Eudora Welty. She has the remarkable ability to give you atmosphere, character, and motion in a single line. In one line! You must study these things to be a good writer. Welty would have a woman simply come into a room and look around. In one sweep she gave you the feel of the room, the sense of the woman’s character, and the action itself. All in twenty words. And you say, How’d she do that? What adjective? What verb? What noun? How did she select them and put them together? I was an intense student.

(Who are some of the writers you enjoy reading and re-reading?) SK: Dostoevsky and Simone De Beauvoir. Since I was a young teenager, I started reading them and I never stopped...Those two writers affected me deeply. But this is not the whole truth. The truth, the real truth, is that the writer, any writer, is made by all the readings she or he makes. We are influenced not just by one or two or ten writers. We are influenced by everything we read. Whether we are aware of this fact or not makes no difference. We read, we devour. We digest what we read and grow. Just like food. Without food we never grow. Without reading we never write.