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" "Recently the things that I’ve enjoyed reading are writers from Africa, like Maaza Mengiste, Yvonne Adhiambo Owuor. These are people who are doing brilliantly well I think, and in both of those cases, they’ve just published their second novels. So very early in their writing careers. But also I admire writers like J.M. Coetzee, Nuruddin Farah, Michael Ondaatje, I can name several.
Abdulrazak Gurnah (born 20 December 1948) is a Tanzanian-born British novelist and academic. He was born in the Sultanate of Zanzibar and moved to the United Kingdom in the 1960s as a refugee during the Zanzibar Revolution. His novels include Paradise (1994), which was shortlisted for both the Booker and the Whitbread Prize; By the Sea (2001), which was longlisted for the Booker and shortlisted for the Los Angeles Times Book Prize; and Desertion (2005), shortlisted for the Commonwealth Writers' Prize. Gurnah was awarded the 2021 Nobel Prize in Literature "for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents". He is Emeritus Professor of English and Postcolonial Literatures at the University of Kent.
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What inspires me to write, is to be able to speak truthfully about what I see and the things that concern me. So it’s not just my eyes are open and therefore, whatever strikes my eye I want to write about it, but there are these concerns about… for example I’m very interested in the way people can retrieve something from trauma, so I’m thinking not only of asylum seekers or refugees, but also of life, of the way people in life are able to get something out of mischance, out of traumatic events. I’ve always been interested in the way families work, particularly the way both power and kindness go along together. Of course, most families love each other, but at the same time there are, what seem like power struggles going on within families. I’m interested in writing about that and the complexity of that and how out of kindness a kind of a sort of unkindness comes as well – requiring obedience that you don’t shame us by doing this, or by doing that. Particularly, I’m thinking of the way women are treated, in our culture anyway, and in many other cultures. Those are the kinds of things that make me want to write. Things that, as I say, my sense of this needs to be spoken about. I need to say something about this. And of course also the other thing that makes me want to write is to create something which is beautiful and pleasurable.
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Writing [came] out of the situation that I was in, which was poverty, homesickness, being unskilled, uneducated. So out of that misery you begin to write things down. It wasn’t like: I’m writing a novel. But this kept growing, this stuff. Then it started to become ‘writing’ because you have to think and construct and shape and so on.