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" "What inspires me to write, is to be able to speak truthfully about what I see and the things that concern me. So it’s not just my eyes are open and therefore, whatever strikes my eye I want to write about it, but there are these concerns about… for example I’m very interested in the way people can retrieve something from trauma, so I’m thinking not only of asylum seekers or refugees, but also of life, of the way people in life are able to get something out of mischance, out of traumatic events. I’ve always been interested in the way families work, particularly the way both power and kindness go along together. Of course, most families love each other, but at the same time there are, what seem like power struggles going on within families. I’m interested in writing about that and the complexity of that and how out of kindness a kind of a sort of unkindness comes as well – requiring obedience that you don’t shame us by doing this, or by doing that. Particularly, I’m thinking of the way women are treated, in our culture anyway, and in many other cultures. Those are the kinds of things that make me want to write. Things that, as I say, my sense of this needs to be spoken about. I need to say something about this. And of course also the other thing that makes me want to write is to create something which is beautiful and pleasurable.
Abdulrazak Gurnah (born 20 December 1948) is a Tanzanian-born British novelist and academic. He was born in the Sultanate of Zanzibar and moved to the United Kingdom in the 1960s as a refugee during the Zanzibar Revolution. His novels include Paradise (1994), which was shortlisted for both the Booker and the Whitbread Prize; By the Sea (2001), which was longlisted for the Booker and shortlisted for the Los Angeles Times Book Prize; and Desertion (2005), shortlisted for the Commonwealth Writers' Prize. Gurnah was awarded the 2021 Nobel Prize in Literature "for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents". He is Emeritus Professor of English and Postcolonial Literatures at the University of Kent.
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(does Gurnah think the British know enough in general about the history of their influence around the world?) “No,” he says, baldly. “They know about some places that they want to know about. India, for example. There’s this sort of love affair going on, at least with the India of the empire. I don’t think they’re so interested in other less glamorous histories. I think if there’s a little bit of nastiness involved, they don’t really want to know about that very much.” “It’s because they don’t get told about these things. So you have on the one hand scholarship, which deeply investigates and understands all of these dimensions of influence, the consequences, the atrocities. On the other hand, you have a popular discourse that is very selective about what it will remember.”
For centuries, Britain has been torn between offering asylum and xenophobia to those who have presented themselves in desperation; on average asylum prevailed and has resulted in many gains for British culture. In this, as well as in understanding the circumstances that lie behind refugee desperation, history and patience lead us not to paralysis but to a knowledge of our better selves.