We are at that time again. The debate over asylum is twinned with a paranoid narrative of race, disguised and smuggled in as euphemisms about foreign… - Abdulrazak Gurnah

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We are at that time again. The debate over asylum is twinned with a paranoid narrative of race, disguised and smuggled in as euphemisms about foreign lands and cultural integrity. The Anglo-Saxon species is once again rumoured to be on the verge of extinction, when a glance around the world shows how successfully it has invaded and displaced others. There is a rational and humane way to conduct this debate, just as there was a better way to talk about the arrival of so many non-European people in Britain in the years after 1945. That better way requires knowledge and humanity, not glib and diminishing clichés.

English
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About Abdulrazak Gurnah

Abdulrazak Gurnah (born 20 December 1948) is a Tanzanian-born British novelist and academic. He was born in the Sultanate of Zanzibar and moved to the United Kingdom in the 1960s as a refugee during the Zanzibar Revolution. His novels include Paradise (1994), which was shortlisted for both the Booker and the Whitbread Prize; By the Sea (2001), which was longlisted for the Booker and shortlisted for the Los Angeles Times Book Prize; and Desertion (2005), shortlisted for the Commonwealth Writers' Prize. Gurnah was awarded the 2021 Nobel Prize in Literature "for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents". He is Emeritus Professor of English and Postcolonial Literatures at the University of Kent.

Also Known As

Native Name: عبد الرزاق سالم قرنح
Alternative Names: Gurnah Abdulrazak S. Gurnah Abdul Razzaq Gurnah Abd al-Razzaq Journa
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Additional quotes by Abdulrazak Gurnah

There was also another understanding of history necessary to address, one that became clearer to me when I lived closer to its source in England, clearer than it had been while I was going through my colonised education in Zanzibar. We were, those of our generation, children of colonialism in a way that our parents were not and nor were those who came after us, or at least not in the same way. By that I don’t mean that we were alienated from the things our parents valued or that those who came after us were liberated from colonial influence. I mean that we grew up and were educated in that period of high imperial confidence, at least in our parts of the world, when domination disguised its real self in euphemisms and we agreed to the subterfuge. I refer to the period before decolonisation campaigns across the region hit their stride and drew our attention to the depredations of colonial rule. Those who came after us had their post-colonial disappointments and their own self-delusions to comfort them, and perhaps did not see clearly, or in great enough depth, the way in which the colonial encounter had transformed our lives, that our corruptions and misrule were in some measure also part of that colonial legacy. Some of these matters became clearer to me in England, not because I encountered people who clarified them to me in conversation or in the classroom, but because I gained a better understanding of how someone like me figured in some of their stories of themselves, both in their writing and in casual discourse, in the hilarity that greeted racist jokes on the TV and elsewhere, in the unforced hostility I met in everyday encounters in shops, in offices, on the bus. I could not do anything about that reception, but just as I learned to read with greater understanding, so a desire grew to write in refusal of the self-assured summaries of people who despised and belittled us.

It seems to me that fiction is the bridge between these things, the bridge between this immense scholarship and that kind of popular perception. So you can read about these matters as fiction. And I hope that the reaction then is to say, 'I didn't know that' and possibly for the reader, 'I must go and read something about that.'

This is a very big story of our times, of people having to reconstruct and remake their lives away from their places of origin. And there are many different dimensions to it. What do they remember? And how do they cope with what they remember? How do they cope with what they find? Or, indeed, how are they received?

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