excuse me' he added, taking the opera glasses out of her hands and looking over her bare shoulder at the row of boxes opposite, 'i'm afraid i'm becom… - Leo Tolstoy

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excuse me' he added, taking the opera glasses out of her hands and looking over her bare shoulder at the row of boxes opposite, 'i'm afraid i'm becoming ridiculous

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About Leo Tolstoy

Lev Nikolayevitch Tolstoy [Ле́в Никола́евич Толсто́й, usually rendered Leo Tolstoy, or sometimes Tolstoi] (9 September 1828 – 20 November 1910) was a Russian writer, philosopher and social activist (social critic), whose novels War and Peace and Anna Karenina are internationally praised classics of world literature. He was a major influence on the development of Christian anarchism and pacifism, contributing to such nonviolent resistance movements as those of Mahatma Gandhi, Martin Luther King, Jr., and James Bevel.

Biography information from Wikiquote

Also Known As

Birth Name: Lev Nikolayevich Tolstoy
Native Name: Лев Никола́евич Толсто́й
Alternative Names: Count Lev Nikolayevich Tolstoy Tolstoy, Leo, graf, 1828-1910 Tolstoĭ, Lev Nikolaevich, graf, 1828-1910 Lev Nikolayevich Tolstoĭ Leo Tolstoi
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Additional quotes by Leo Tolstoy

People usually think that progress consists in the increase of knowledge, in the improvement of life, but that isn't so. Progress consists only in the greater clarification of answers to the basic questions of life. The truth is always accessible to a man. It can't be otherwise, because a man's soul is a divine spark, the truth itself. It's only a matter of removing from this divine spark (the truth) everything that obscures it. Progress consists, not in the increase of truth, but in freeing it from its wrappings. The truth is obtained like gold, not by letting it grow bigger, but by washing off from it everything that isn't gold.

Science may fall back on its stupid excuse that science works for science, and that when it has been developed by the scientists it will become accessible to the people also; but art, if it be art, should be accessible to all, and particularly to those for whom it is produced. And the position of our art strikingly arraigns the producers of art for not wishing, not knowing how, and being unable, to serve the people.

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