Of these massive achievements I shall single out two. One is Newton’s working out of the concept of the cause, by making it over from its scholastic … - Jacob Bronowski

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Of these massive achievements I shall single out two. One is Newton’s working out of the concept of the cause, by making it over from its scholastic form in, say, St. Thomas Aquinas, to the modern form which now seems so obvious to us. This is one theme in this chapter. But I shall go to it by way of a related achievement, and to my mind one which is as remarkable: the marriage of the logical with the empirical method.

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About Jacob Bronowski

Jacob Bronowski (January 18, 1908 – August 22, 1974) was a British mathematician, biologist, and science historian of Polish origin. He is remembered as the writer and presenter of the 1973 BBC television documentary series, The Ascent of Man.

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Todas as modalidades de amostragem fornecem apenas uma informação provável a respeito da população da qual se extraiu a amostra. Ao provar uma teoria científica pela experimentação, procuramos informar-nos sobre um conjunto de ocorrências naturais, por meio de uma amostra, convencendo-nos de que o universo considerado se conforma com as configurações geradas pelo modelo que adotamos, em toda a sua extensão. Muitas asneiras têm sido ditas a respeito da probabilidade na ciência pelos que não compreendem esta concepção. Há filósofos que falam em “teorias prováveis”, e outros chegam a falar como se os fatos pudessem ser prováveis. Os fatos existem ou não

"The poem or the discovery exists in two moments of vision: the moment of appreciation as much as that of creation; for the appreciator must see the movement, wake to the echo which was started in the creation of the work. In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness. When a simile takes us aback and persuades us together, when we find a juxtaposition in a picture both odd and intriguing, when a theory is at once fresh and convincing, we do not merely nod over someone else's work. We re-enact the creative act, and we ourselves make the discovery again...

...Reality is not an exhibit for man's inspection, labeled: "Do not touch." There are no appearances to be photographed, no experiences to be copied, in which we do not take part. We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat."

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