69 Quotes Tagged: discovery
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"... explained to him how nature is not criminal. How common it was for certain African men on expedition to engage in what might be called "reciprocal sex." How it was common for these men to declare more love for their boy wives than their girl wives. And then why wouldn't Sir Richard Oslet, the hunter said, allow himself, as such to no longer feel pain.
And that was the moment, Oslet explained, when hge realized he loved Sowning, that what he had always felt for Downing was love, and Oslet begged Downing's forgiveness.
But how could he possibly have know any sooner when there was no language to describe how he felt, no currency, and to even attempt to speak of it would have smacked of revolt, but hopeless revolt, one toward a freedom that Oslet knew did not exist. For Britian, didn't Downing know was perfectly to content to ignore them, so long as there was ambiguity. And hadn't Downing grown up reading, as Oslet had, for decades about the thousands of souls who tried to love one another unambiguously, or those who got caught and were tried allover England at the Courts of Assize, the quarter sessions, and hung? Was Downing so think as to be unaware of the Offenses Against the Person Act, asnd risk the bopth of them landing locked up for years as men were in Redding Jail...
Nature, Oslet said the hunter had said, ... unlike man does nothing in vain. God is Nature, and because God is Nature, he created nothing in vain. Therefore, the soul can never expire. It is immortal and in perpetual transit."
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"Not to find one’s way in a city may well be uninteresting and banal. It requires ignorance — nothing more," says the twentieth-century philosopher-essayist Walter Benjamin. “But to lose oneself in a city — as one loses oneself in a forest — that calls for quite a different schooling.” To lose yourself: a voluptuous surrender, lost in your arms, lost to the world, utterly immersed in what is present so that its surroundings fade away. In Benjamin’s terms, to be lost is to be fully present, and to be fully present is to be capable of being in uncertainty and mystery. And one does not get lost but loses oneself, with the implication that it is a conscious choice, a chosen surrender, a psychic state achievable through geography.
"I remember when we found the first population of living Cerion agassizi in central Eleuthera. Our hypothesis of Cerion's general pattern required that two predictions be affirmed (or else we were in trouble): this population must disappear by hybridization with mottled shells toward bank-interior coasts and with ribby snails toward the bank-edge. We hiked west toward the bank-interior and easily found hybrids right on the verge of the airport road. We then moved east toward the bank-edge along a disused road with vegetation rising to five feet in the center between the tire paths. We should have found our hybrids but we did not. The Cerion agassizi simply stopped about two hundred yards north of our first ribby Cerion. Then we realized that a pond lay just to our east and that ribby forms, with their coastal preferences, might not favor the western side of the pond. We forded the pond and found a classic hybrid zone between Cerion agassizi and ribby Cerions. (Ribby Cerion had just managed to round the south end of the pond, but had not moved sufficiently north along the west side to establish contact with C. agassizi populations.) I wanted to shout for joy. Then I thought, "But who can I tell; who cares?" And I answered myself, "I don't have to tell anyone. We have just seen and understood something that no one has ever seen and understood before. What more does a man need?
The wild gas, the fixed air is plainly broke loose: but we ought to suspend our judgments until the first effervescence is a little subsided, till the liquor is cleared, and until we see something deeper than the agitation of the troubled and frothy surface.
[Alluding to Joseph Priestley's Observations on Air]
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"The poem or the discovery exists in two moments of vision: the moment of appreciation as much as that of creation; for the appreciator must see the movement, wake to the echo which was started in the creation of the work. In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness. When a simile takes us aback and persuades us together, when we find a juxtaposition in a picture both odd and intriguing, when a theory is at once fresh and convincing, we do not merely nod over someone else's work. We re-enact the creative act, and we ourselves make the discovery again...
...Reality is not an exhibit for man's inspection, labeled: "Do not touch." There are no appearances to be photographed, no experiences to be copied, in which we do not take part. We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat."