Was I saved? Was I lost? All depended on the moment at which somebody might go into my stepfather's room. If my mother were to return within a few mi… - Paul Bourget

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Was I saved? Was I lost? All depended on the moment at which somebody might go into my stepfather's room. If my mother were to return within a few minutes of my departure; if the footman were to go upstairs with some letter, I should instantly be suspected, in spite of the declaration written by M. Termonde. I felt that my courage was exhausted. I knew that, if accused, I should not have moral strength to defend myself, for my weariness was so overwhelming that I did not suffer any longer. The only thing I had strength to do was to watch the swing of the pendulum of the timepiece on the mantelshelf, and to mark the movement of the hands. A quarter of an hour elapsed, half an hour, a whole hour. It was an hour and a half after I had left the fatal room, when the bell at the door was rung. I heard it through the walls. A servant brought me a laconic note from my mother scribbled in pencil and hardly legible. It informed me that my stepfather had destroyed himself in an attack of severe pain. The poor woman implored me to go to her immediately. Ah, she would now never know the truth!

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About Paul Bourget

Paul Charles Joseph Bourget (2 September 1852 – 25 December 1935) was a French novelist and critic.

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I once spoke to my aunt of the vow I had taken, the solemn promise I had made to myself that I would discover the murderer of my father, and take vengeance upon him, and she laid her hand upon my mouth. She was a pious woman, and she repeated the words of the gospel: "Vengeance is mine, saith the Lord." Then she added: "We must leave the punishment of the crime to Him; His will is hidden from us. Remember the divine precept and promise, 'Forgive and you shall be forgiven.' Never say: 'An eye for an eye, a tooth for a tooth.' Ah, no; drive this enmity out of your heart, Cornelis; yes, even this." And there were tears in her eyes. My poor aunt! She thought me made of sterner stuff than I really was. There was no need of her advice to prevent my being consumed by the desire for vengeance which had been the fixed star of my early youth, the blood-colored beacon aflame in my night. Ah! the resolutions of boyhood, the "oaths of Hannibal" taken to ourselves, the dream of devoting all our strength to one single and unchanging aim — life sweeps all that away, together with our generous illusions, ardent enthusiasm, and noble hopes.

I have been thinking about our conversation and about your book, and I am afraid that I expressed myself badly yesterday. When I said that one may love and be loved at any age I ought to have added that sometimes this love comes too late. It comes when one no longer has the right to prove to the loved one how much she is loved, except by love's sacrifice.

Since that not far-distant time when, tired of being poor, I had made up my mind to cast my lot with the multitude in Paris, I had tried to lay aside my old self, as lizards do their skins, and I had almost succeeded. In a former time, a former time that was but yesterday, I knew — for in a drawer full of poems, dramas and half-finished tales I had proof of it — that there had once existed a certain Jules Labarthe who had come to Paris with the hope of becoming a great man. That person believed in Literature with a capital "L;" in the Ideal, another capital; in Glory, a third capital. He was now dead and buried. Would he some day, his position assured, begin to write once more from pure love of his art? Possibly, but for the moment I knew only the energetic, practical Labarthe, who had joined the procession with the idea of getting into the front rank, and of obtaining as soon as possible an income of thirty thousand francs a year. What would it matter to this second individual if that vile Pascal should boast of having stolen a march on the most delicate, the most powerful of the heirs of Balzac, since I, the new Labarthe, was capable of looking forward to an operation which required about as much delicacy as some of the performances of my editor-in-chief? I had, as a matter of fact, a sure means of obtaining the interview. It was this: When I was young and simple I had sent some verses and stories to Pierre Fauchery, the same verses and stories the refusal of which by four editors had finally made me decide to enter the field of journalism. The great writer was traveling at this time, but he had replied to me. I had responded by a letter to which he again replied, this time with an invitation to call upon him. I went I did not find him. I went again. I did not find him that time. Then a sort of timidity prevented my returning to the charge. So I had never met him. He knew me only as the young Elia of my two epistles. This is what I counted upon to extort from him the favor of an interview which he certainly would refuse to a mere newspaper man. My plan was simple; to present myself at his house, to be received, to conceal my real occupation, to sketch vaguely a subject for a novel in which there should occur a discussion upon the Age for Love, to make him talk and then when he should discover his conversation in print — here I began to feel some remorse. But I stifled it with the terrible phrase, "the struggle for life," and also by the recollection of numerous examples culled from the firm with which I now had the honor of being connected.

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