The two sets of sources, textual and nontextual, reveal bits of history to us in different ways, like the lame man riding on the shoulders of the bli… - Wendy Doniger

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The two sets of sources, textual and nontextual, reveal bits of history to us in different ways, like the lame man riding on the shoulders of the blind man. When it comes to history, you can’t trust anyone: The texts lie one way, while images and archeology mislead us in other ways. On the one hand, the gods did not fly around in big palaces, as the texts insist that they did, and we cannot know if women really did speak up as Gargi does in the Upanishads, or Draupadi in the Mahabharata.

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About Wendy Doniger

Wendy Doniger O'Flaherty (born 20 November, 1940) is an American Indologist.

Also Known As

Alternative Names: Wendy Doniger O'Flaherty W. Doniger O'Flaherty
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Additional quotes by Wendy Doniger

Long before Doniger’s book was pulped, an event which the secularists have eagerly highlighted, her book was replied to in detail by Vishal Agarwal... He showed that she was either wrong or unmistakably biased in hundreds of passages. For a lifelong tenant of a very prestigious Indology chair, it is shameful that she could deliver such substandard work. But the fact that her work was anything but scholarly, has been carefully hidden by the secularists, including in the present article. Yet the fact that such a bad book was universally applauded and even earmarked for an Indian award, tells you a lot about the power equation, with the anti-Hindu forces jubilantly on top.

There are several issues that need more detailed and nuanced analysis rather than straight-jacketed formulations that we read in The Hindus. These concern terminologies and chronologies invoked, perfunctory manner in which class-caste struggles have been referred to — almost casually, complex inter-religious dialogue seen only in the context of Visnu's avataras, and looking at the tantras merely in terms of sex and political power. The work rarely rises above the level of tale telling... On the whole, this is neither a serious work for students of Indian history, nor for those with a critical eye on 'religious history' of India, nor indeed it is the real Alternative History of the 'Hindus'. The main actors of the narrative are not speaking themselves. They merely seem to be mouthing dialogues scripted by the privileged upper classes.

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My mother had rubbings from the temple at Angkor Watt on the walls-that was the first thing that interested me. But it really began when I was in my teens, when my mother gave me a copy of A Passage to India. I really came into it from literature-only later did I turn to religious literature. I read Rumer Godden's Mooltiki, and other stories and poems of India (1957) and I read Kipling's Jungle Books. Then I read the Upanishads, and it was just so fascinating to me. I was raised by atheist and communist parents, so we had no religion whatsoever.

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