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" "The typical Bildungsroman, the novel of growing up, first of all traditionally involves a single character reaching a kind of epiphany or self-realization, and it has a forward trajectory, which is the classic structure of the novel. But I wanted to structure the novel so that the reader can experience, not by being told but shown, what it feels like to be an immigrant – you’re always going back, going back to where you came from to measure who you are today. So plot in a novel is not just how you’re going to fit all the pieces together or how you’re going to do the chronology. Plot is more sophisticated than that. It’s a way of structuring the way the reader thinks and feels.
Julia Alvarez (born March 27, 1950) is a Dominican-American poet, novelist, and essayist.
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(What moves you most in a work of literature?) JA: Accuracy of language and perception — the writer is not striving for effect and gets out of the way to let us see the world through the lens of language. I love what the poet Stanley Kunitz said about dreaming of “an art so transparent that you can look through and see the world.” That pretty much sums up what I most admire in a work of literature.
Mine was an oral culture, full of storytellers, but reading and writing were not encouraged. (No public libraries, no free press!) Coming to the United States suddenly thrust me into a world where I was an alien, where I spoke the language with an accent. This abrupt and painful “translation” led me to the company of books, the homeland of the imagination where all were welcomed. In trying to master my new language of English, I had to pay attention to words, their little reputations and atmospheres, their exact weights and balances, their smells and sounds and textures…