In strange ways hard to know gods come to men. Many a thing past hope they have fulfilled, And what was looked for went another way. A path we never … - Edith Hamilton

She would have given her soul to him if he had asked her. And now both were fixing their eyes on the ground, abashed, and again were throwing glances at each other, smiling with love's desire.

"To the Greeks, the word "character" first referred to the stamp upon a coin. By extension, man was the coin, and the character trait was the stamp imprinted upon him. To them, that trait, for example bravery, was a share of something all mankind had, rather than means of distinguishing one from the whole."

When Nietzsche made his famous definition of tragic pleasure he fixed his eyes, like all the other philosophers in like case, not on the Muse herself but on a single tragedian. His “reaffirmation of the will to live in the face of death, and the joy of its inexhaustibility when so reaffirmed” is not the tragedy of Sophocles nor the tragedy of Euripides, but it is the very essence of the tragedy of Æschylus. The strange power tragedy has to present suffering and death in such a way as to exalt and not depress is to be felt in Æschylus’ plays as in those of no other tragic poet. He was the first tragedian; tragedy was his creation, and he set upon it the stamp of his own spirit. It was a soldier-spirit. Æschylus was a Marathon-warrior, the title given to each of the little band who had beaten back the earlier tremendous Persian onslaught.