Well, first of all, it's imperative not to judge the character. Because then you've lost as a performer. You have to try and understand [them]. You have to be like a kind of emotional detective. But your job primarily is to define the truth in the character to try and portray them in a truthful way.
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I like to study each character that I'm playing and spend time with it. I want to understand her mental strengths, her weaknesses, what triggers her and what makes her happy. To be able to get into the skin of the character, It's so important to feel like her. Studying cinema that has touched upon the subject, multiple readings and exploring the layers, is an important part of the process.
My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music. But in a way, performing your own music, it’s easier to find the truth in it, because it’s coming from yourself. There’s no translation needed.
People often say that an actor 'plays' a character well, but that's an amateurish notion. Developing a characterization is not merely a matter of putting on makeup and a costume and stuffing Kleenex in your mouth. That's what actors used to do, and then called it a characterization. In acting everything comes out of what you are, or some aspect of who you are.
You know, I used to think that immersing myself into a full day of emotions would help me get into character. But it didn’t really work for me and I’d be extremely drained by the time I got on set. I think being authentic in your acting, enjoying the moment and believing your character’s story is very important.
Coming from that place of knowing you are here for a purpose; you're here for a reason; that nobody is on this planet by accident... If you have that as your armor, you can show up as a performer and then see what you bring to the room. That's a good place to be in. I also tell people that it's really important to have the desire to perform, but also the willingness to do the work. What I mean by work, as any aspiring musical theatre kid knows, is singing all the time; taking dance and acting classes; doing monologues by yourself in your room etc. Whatever it is, do the work and do the necessary self-work too. Get therapy if you need therapy! I love therapy. It's so helpful to go. As actors, we portray so many different kinds of human being, so don't you also want to explore your own healing and better understand the human condition?
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