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People often say that an actor 'plays' a character well, but that's an amateurish notion. Developing a characterization is not merely a matter of putting on makeup and a costume and stuffing Kleenex in your mouth. That's what actors used to do, and then called it a characterization. In acting everything comes out of what you are, or some aspect of who you are.

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Well, first of all, it's imperative not to judge the character. Because then you've lost as a performer. You have to try and understand [them]. You have to be like a kind of emotional detective. But your job primarily is to define the truth in the character to try and portray them in a truthful way.

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[About acting:] An actor brings something of themselves to a part, working with elements of his or her own life, and fashioning them into something different. I'm not Draco. Draco is not me. But the dividing line is not black and white. It's painted in shades of grey.

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I like to study each character that I'm playing and spend time with it. I want to understand her mental strengths, her weaknesses, what triggers her and what makes her happy. To be able to get into the skin of the character, It's so important to feel like her. Studying cinema that has touched upon the subject, multiple readings and exploring the layers, is an important part of the process.

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Character actor' is a technical term denoting a clever stage performer who cannot act, and therefore makes an elaborate study of the disguises and stage tricks by which acting can be grotesquely simulated.

I think the purpose of the actor is to illuminate the human condition. When you go to a film and you see a good actor, it's because you identify with them—you know what they're feeling—and a good actor draws, I believe, from their own experience. And when it's true for him, it's true for you. If a director imposes a performance or you try to mimic somebody, it can be funny or brilliant, but it isn't moving.

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