Some years later I spoke to a mentally disturbed young man. Very agitatedly, he described to me how alien beings from outer space had invaded the ear… - Heinz Pagels

Although the idea that the universe has an order that is governed by natural laws that are not immediately apparent to the senses is very ancient, it is only in the last three hundred years that we have discovered a method for uncovering that hidden order — the scientific-experimental method. So powerful is this method that virtually everything scientists know about the natural world comes from it. What they find is that the architecture of the universe is indeed built according to invisible universal rules, what I call the cosmic code — the building code of the Demiurge. Examples of this universal building code are the quantum and relativity theory, the laws of chemical combination and molecular structure, the rules that govern protein synthesis and how organisms are made, to name but a few. Scientists in discovering this code are deciphering the Demiurge's hidden message, the tricks he used in creating the universe. No human mind could have arranged for any message so flawlessly coherent, so strangely imaginative, and sometimes downright bizarre. It must be the work of an Alien Intelligence!

I often dream about falling. Such dreams are commonplace to the ambitious or those who climb mountains. Lately I dreamed I was clutching at the face of a rock but it would not hold. Gravel gave way. I grasped for a shrub, but it pulled loose, and in cold terror I fell into the abyss. Suddenly I realized that my fall was relative; there was no bottom and no end. A feeling of pleasure overcame me. I realized that what I embody, the principle of life, cannot be destroyed. It is written into the cosmic code, the order of the universe. As I continued to fall in the dark void, embraced by the vault of the heavens, I sang to the beauty of the stars and made my peace with the darkness.

People did not always love the mountains. Just a few hundred years ago the high mountains were regarded as horrible, monstrous places filling people with terror and fear. The inhabitants near them were seen as awful demons, subhumans. But this attitude got transformed into just the opposite, especially by Romantic writers and painters in the nineteenth century. Seen by the Romantics, high mountains became places of impossible beauty, where the quality of light and the expansive solitary grandeur of the high peaks opened the heart of the individual. A man climbing a mountain became the image of self-conscious intelligence pitted against the eternal indifference of the forces of nature. Compared to these forces of nature, we are nothing save for the will that moves our limbs. Only that will is truly our own.