American writer and journalist
Jon Krakauer (born April 12, 1954) is an American journalist, author of non-fiction books, and mountaineer. In 1999 he received an Academy Award in Literature from the American Academy of Arts and Letters. Although he is perhaps best known as an "adventure writer," Krakauer has in fact written about a wide range of subjects since very early in his career.
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"A month later Billie sits at her dining room table, sifting through the pictorial record of Chris's final days. It is all she can do to force herself to examine the fuzzy snapshots. As she studies the pictures, she breaks down from time to time, weeping as only a mother who has outlived a child can weep, betraying a sense of loss so huge and irreparable that the mind balks at taking its measure. Such bereavement, witnessed at close range, makes even the most eloquent apologia for high-risk activities ring fatuous and hollow." - describing the mother of Chris McCandless after learning of his starvation in the wild
"Chris would use the spiritual aspect to try to motivate us. "He'd tell us to think about all the evil in the world, all the hatred, and imagine ourselves running against the forces of darkness, the evil wall that was trying to keep us from running our best. He believed that doing well was all mental, a simple matter of harnessing whatever energy was available.
It is easy, when you are young, to believe that what you desire is no less than what you deserve, to assume that if you want something badly enough, it is your God-given right to have it. When I decided to go to Alaska that April, like Chris McCandless, I was a raw youth who mistook passion for insight and acted according to an obscure, gap-ridden logic. I thought climbing the Devils Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams. And I lived to tell my tale.
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We tell ourselves stories in order to live.… We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience.
I was irresistibly drawn to write about Latter-Day Saints not only because I already knew something about their theology, and admired much about their culture, but also because of the utterly unique circumstances in which their religion was born: the Mormon Church was founded a mere 173 years ago, in a literate society, in the age of the printing press. As a consequence, the creation of what became a worldwide faith was abundantly documented in firsthand accounts. Thanks to the Mormons, we have been given an unprecedented opportunity to appreciate — in astonishingly detail — how an important religion came to be.
Several authors and editors I respect counseled me not to write the book as quickly as I did; they urged me to wait two or three years and put some distance between me and the expedition in order to gain some crucial perspective. Their advice was sound, but in the end I ignored it - mostly because what happened on the mountain was gnawing my guts out. I thought that writing the book might purge Everest from my life. It hasn't, of course.