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Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression … - Wyndham Lewis
" "Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.
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About Wyndham Lewis
Percy Wyndham Lewis (18 November 1882 – 7 March 1957) was an English polemicist, novelist, essayist, critic and Vorticist painter.
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Alternative Names:
Percy Wyndham Lewis
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Percy William Lewis
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Percy Lewis
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Wyndham Percy Lewis
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Additional quotes by Wyndham Lewis
The Relativity theory, the copernican upheaval, or any great scientific convulsion, leaves a new landscape. There is a period of stunned dreariness; then people begin, antlike, the building of a new human world. They soon forget the last disturbance. But from these shocks they derive a slightly augmented vocabulary, a new blind spot in their vision, a few new blepharospasms or tics, and perhaps a revised method of computing time. (p. 336)
1. Laughter is the Wild Body's song of triumph.
2. Laughter is the climax in the tragedy of seeing, hearing and smelling self-consciously.
3. Laughter is the bark of delight of a gregarious animal at the proximity of its kind.
4. Laughter is an independent, tremendously important, and lurid emotion.
5. Laughter is the representative of Tragedy, when Tragedy is away.
6. Laughter is the emotion of tragic delight.
7. Laughter is the female of Tragedy.
8. Laughter is the strong elastic fish, caught in Styx, springing and flapping about until it dies.
9. Laughter is the sudden handshake of mystic violence and the anarchist.
10. Laughter is the mind sneezing.
11. Laughter is the one obvious commotion that is not complex, or in expression dynamic.
12. Laughter does not progress. It is primitive, hard and unchangeable.
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The modern man whether of Bloomsbury Baltimore or Berlin has vanquished vanity — he offers himself to his own inspection as the worm he turns out to be. If he is vain at all, and it must be conceded that self-love is hard to kill, it is about his humility. His own Vernichtung is his greatest pride the laying bare of the nullity, the Nichtigkeit, that is the 'self' at the heart of energy (which is merely the doctrine of Xt that 'he who humbleth himself shall be exalted' ! Be modest, protest you are nobody, a biological bagatelle and hi presto! you will get top-marks, and be given authority, that is the idea — it is the christian strategy. …)
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