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" "A multiracial coalition of Black, brown, and white Americans had defeated Trump and put Biden and Kamala Harris, the first woman and first woman of color to become vice president, in the White House, and the president's supporters, with his direct encouragement, stormed the national legislature to try to nullify the result.
(born April 12, 1987) is an American journalist and columnist for . He was formerly chief political correspondent for Slate magazine.
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The story of emancipation, going really back to the founding of the country all the way to the civil war is very much the story of enslaved Africans and freed blacks taking the initiative to put their freedom on the agenda of national politics. That's especially true during the Civil War. The war, as many people know, it does not begin as a war for abolition. It begins as a war for union. But as soon as the shooting starts, enslaved people are escaping to union lines. They're leaving work on plantations. They're offering their assistance to- to union soldiers as guides, as laborers and eventually as soldiers. And it's those actions that transform the war for union into a war for liberation, into a war for emancipation. And although Juneteenth commemorates those enslaved Africans who were whisked away to Texas to avoid the Emancipation Proclamation, I think it's still an opportunity for us to really think and take seriously the fact that emancipation does not happen without the actions of the enslaved, not just over the war, but really over the course of 80 years.
I think that's progress. I think that represents Americans coming to recognize what those statues were erected for. They weren't erected as memorials for the war. They were very much erected as symbols of Jim Crow, as symbols of white supremacy. I think it's the public beginning to come to the recognition that public space is ours to shape. Right? That when we put up memorials or monuments, we are trying to present a particular memory of the past that we want to remember. And do we want to remember, honor a past where someone like Robert E. Lee was a central figure, a figure of esteem?
All of which raises an obvious question: Why do blacks have a hard time leaving impoverished neighborhoods? [...] Once you grasp the staggering differences between black and white neighborhoods, it becomes much easier to explain a whole realm of phenomena. Take the achievement gap between middle-class black students and their white peers. It’s easy to look at this and jump to cultural explanations—that this is a function of black culture and not income or wealth. But, when we say middle-class black kids are more likely to live in poor neighborhoods, what we’re also saying is that they’re less likely to have s with professionals, and more likely to be exposed to violence and crime. This can have serious consequences. Youthful experimentation for a white teenager in a suburb might be smoking a joint in a friend’s attic. Youthful experimentation for a black teenager might be hanging out with gang members.