My sculpture begins and ends with what can be done with metal. Between the beginning and end are other considerations. The drama of the process of ea… - Richard Hunt
" "My sculpture begins and ends with what can be done with metal. Between the beginning and end are other considerations. The drama of the process of each weld involves a change of state from solid to liquid and back to solid. Repetitions of this process bring about construction, a new constellation of the real and the imagined, ruminations in metal. The material basis of my sculpture is metallic opportunities. Bringing pressure to the right points, I draw the aesthetic out of the industrial process. To me, metal is alive. The forms tell their own story—how they resisted the torch and hammer. From the mill through the studio to the gallery, park, or plaza, the sculptor's challenge is to bend the metal to his wishes, hammer it into his vision.
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About Richard Hunt
Richard Hunt (sculptor) (born September 12, 1935) is an American sculptor. In the second half of the 20th century, he became "the foremost African-American abstract scul ptor and artist of public sculpture." Hunt studied at the School of the Art Institute of Chicago in the 1950s. While there received multiple prizes for his work. In 1971, he was the first African American sculptor to have a retrospective at the Museum of Modern Art. Hunt has created over 160 public sculpture commissions, more than any other sculptor in prominent locations in 24 states across the United States. With a career spanning seven decades, Hunt has held over 170 solo exhibitions and is represented in more than 125 public museums across the world.
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Additional quotes by Richard Hunt
When I enlarge pieces, however, I consider myself to be re-creating the piece in full scale rather than simply copying a small piece. This process of re-creating the piece in the larger scale gives the full-scale work a spontaneity and it keeps the process more open and alive for me as a sculptor through the opportunity to re-experience the ideas that gave rise to the initial subject. . . .
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