But when I do think about religious problems, I think in Hindu categories. When my father died, it was the first time something really terrible happe… - Wendy Doniger
" "But when I do think about religious problems, I think in Hindu categories. When my father died, it was the first time something really terrible happened to me-and Christianity and Judaism were of absolutely no use to me. My Jewish and Christian friends would take me to synagogues and churches, and it didn't help at all. And then I started thinking about the myths I was translating at the time, which were about death-why there is death, how death came into the world, what happens when we die, speculations about karma and rebirth. The Hindu version of it made more sense to me than anything. It just seemed like Shiva as a god was more likely to be responsible for the world the way I knew it than the gods of Judaism and Christianity. Capricious, beautiful, violent, it just made more sense.
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About Wendy Doniger
Wendy Doniger O'Flaherty (born 20 November, 1940) is an American Indologist.
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Wendy Doniger O'Flaherty
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W. Doniger O'Flaherty
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Additional quotes by Wendy Doniger
I was raised deeply imbued with my parents' atheism. The thought of really, seriously practicing any religion doesn't really work for me. But I feel at home in religious buildings and ceremonies. I still hang out a lot in Catholic churches in America. I like going to Catholic masses; I always go to Christmas and Easter. In India I always go to temples and to the pujas. But to be committed to the dogma of any religion-to be told what to believe-goes against my grain in some basic way.
Doniger makes clear that no history focused on an imperial centre can capture the history of the Hindus here, any more than could such a state-focused story in the days before the arrival of the Muslims. But at the same time, the very structure of her presentation points also to the import-ance of the state as a locus for understanding how the history of the Hindus depends also on an engagement with broader currents of historical change extending outside India and linking this history to larger, worldwide processes.
The culture-its excess-really suited me. I always liked Indian miniature painting much more than Renaissance painting. I didn't see what was so great about Rembrandt or Michelangelo. I liked paintings where there were 10,000 people in the scene and elephants and horses! I liked the carvings on Indian temples so much more than the simple architectural outlines.
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