"Whatever our fate is or may be, we have made it and do not complain of it." - Vronksy {Anna Karenina} - Leo Tolstoy

"Whatever our fate is or may be, we have made it and do not complain of it."

- Vronksy {Anna Karenina}

English
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About Leo Tolstoy

Lev Nikolayevitch Tolstoy [Ле́в Никола́евич Толсто́й, usually rendered Leo Tolstoy, or sometimes Tolstoi] (9 September 1828 – 20 November 1910) was a Russian writer, philosopher and social activist (social critic), whose novels War and Peace and Anna Karenina are internationally praised classics of world literature. He was a major influence on the development of Christian anarchism and pacifism, contributing to such nonviolent resistance movements as those of Mahatma Gandhi, Martin Luther King, Jr., and James Bevel.

Biography information from Wikiquote

Also Known As

Birth Name: Lev Nikolayevich Tolstoy
Native Name: Лев Никола́евич Толсто́й
Alternative Names: Count Lev Nikolayevich Tolstoy Tolstoy, Leo, graf, 1828-1910 Tolstoĭ, Lev Nikolaevich, graf, 1828-1910 Lev Nikolayevich Tolstoĭ Leo Tolstoi
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Additional quotes by Leo Tolstoy

We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.

While imprisoned in the shed Pierre had learned not with his intellect but with his whole being, by life itself, that man is created for happiness, that happiness is within him, in the satisfaction of simple human needs, and that all unhappiness arises not from privation but from superfluity. And now during these last three weeks of the march he had learned still another new, consolatory truth- that nothing in this world is terrible. He had learned that as there is no condition in which man can be happy and entirely free, so there is no condition in which he need be unhappy and lack freedom. He learned that suffering and freedom have their limits and that those limits are very near together....

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And so the arbitrary union of three incommensurate, mutually disconnected concepts became the basis of a bewildering theory... [by which] one of the lowest renderings of art, art for mere pleasure — against which all of the master teachers warned — was idealized as the ultimate in art.

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