Not soon, as late as the approach of my ninetieth year, I felt a door opening in me and I entered the clarity of early morning. One after another my… - Czesław Miłosz

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Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.

One after another my former lives were departing,
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.

I was not separated from people,
grief and pity joined us.
We forget — I kept saying — that we are all children of the King.

For where we come from there is no division
into Yes and No, into is, was, and will be.

We were miserable, we used no more than a hundredth part
of the gift we received for our long journey.

Moments from yesterday and from centuries ago — a sword blow, the painting of eyelashes before a mirror
of polished metal, a lethal musket shot, a caravel
staving its hull against a reef — they dwell in us,
waiting for a fulfillment.

I knew, always, that I would be a worker in the vineyard,
as are all men and women living at the same time,
whether they are aware of it or not.

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About Czesław Miłosz

Czesław Miłosz (30 June 1911 – 14 August 2004) was a Polish poet and essayist, awarded the Nobel Prize in Literature in 1980.

Biography information from Wikiquote

Also Known As

Alternative Names: Miłosz Czelaw Milosz
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Shorter versions of this quote

Not soon, as late as the approach of my ninetieth year, I felt a door opening in me and I entered the clarity of early morning.

One after another my former lives were departing, like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas assigned to my brush came closer, ready now to be described better than they were before.

Additional quotes by Czesław Miłosz

Only if we assume that a poet constantly strives to liberate himself from borrowed styles in search for reality, is he dangerous. In a room where people unanimously maintain a conspiracy of silence, one word of truth sounds like a pistol shot. And, alas, a temptation to pronounce it, similar to an acute itching, becomes an obsession which doesn't allow one to think of anything else. That is why a poet chooses internal or external exile. It is not certain, however, that he is motivated exclusively by his concern with actuality. He may also desire to free himself from it and elsewhere, in other countries, on other shores, to recover, at least for short moments, his true vocation — which is to contemplate Being.

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