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" "Culture then is the sum of, and the dynamic between, the two modes through which the mind attempts to transcend the limitations and contingencies of reality. These two types of cultural responses entail different methods to achieve the same end, the realization of the conceivable in the possible. In the first, the individual denies the limitations of the given reality by escaping from it altogether, to define, create, his own possible. In the provinces of the imagination, objectified in some way – whether through the development of a visual image within some artificial boundary, say four square feet of canvas, through visual images projected through verbal symbols (poetry), with sound ordered into a sequence (music), or with verbal ideas ordered into a progression (theology, philosophy) – he creates an ideal world governed by his own artificially imposed order and harmony, a structure in which he consciously relates each part to the whole, a static (and therefore ‘timeless’) construction. The degree to which he abstracts his creation from reality is unimportant, for even when he most appears to imitate, he has created an illusion governed by its own – perhaps hidden – set of artificial laws. (Degas said that the artist had to lie in order to tell the truth.) This search for the ideal, realized by means of an artificial medium, we shall call the Aesthetic Mode.
Shulamith Bath Shmuel Ben Ari Firestone (born Feuerstein; January 7, 1945 – August 28, 2012) was a Canadian-American radical feminist writer and activist. Firestone was involved in the early development of second-wave feminism and a founding member of three radical-feminist groups: , , and . In September 1970, Firestone's The Dialectic of Sex: The Case for Feminist Revolution was published and became an influential feminist text.
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Matriarchy is a stage on the way to patriarchy, to man’s fullest realization of himself; he goes from worshipping Nature through women to conquering it. Though it’s true that woman’s lot worsened considerably under patriarchy, she never had it good; for despite all the nostalgia it is not hard to prove that matriarchy was never an answer to women’s fundamental oppression. Basically it was no more than a different means of counting lineage and inheritance, one which, though it might have held more advantages for women than the later patriarchy, did not allow women into the society as equals. To be worshipped is not freedom. For worship still takes place in someone else’s head, and that head belongs to Man. Thus throughout history, in all stages and types of culture, women have been oppressed due to their biological functions.
The feminist movement is the first to combine effectively the ‘personal’ with the ‘political’. It is developing a new way of relating, a new political style, one that will eventually reconcile the personal – always the feminine prerogative – with the public, with the ‘world outside’, to restore that world to its emotions, and literally to its senses.
Marriage is in the same state as the Church: both are becoming functionally defunct, as their preachers go about heralding a revival, eagerly chalking up converts in the day of dread. And just as God has been pronounced dead quite often but has this sneaky way of resurrecting himself, so everyone debunks marriage, yet ends up married.