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" "Culture then is the sum of, and the dynamic between, the two modes through which the mind attempts to transcend the limitations and contingencies of reality. These two types of cultural responses entail different methods to achieve the same end, the realization of the conceivable in the possible. In the first, the individual denies the limitations of the given reality by escaping from it altogether, to define, create, his own possible. In the provinces of the imagination, objectified in some way – whether through the development of a visual image within some artificial boundary, say four square feet of canvas, through visual images projected through verbal symbols (poetry), with sound ordered into a sequence (music), or with verbal ideas ordered into a progression (theology, philosophy) – he creates an ideal world governed by his own artificially imposed order and harmony, a structure in which he consciously relates each part to the whole, a static (and therefore ‘timeless’) construction. The degree to which he abstracts his creation from reality is unimportant, for even when he most appears to imitate, he has created an illusion governed by its own – perhaps hidden – set of artificial laws. (Degas said that the artist had to lie in order to tell the truth.) This search for the ideal, realized by means of an artificial medium, we shall call the Aesthetic Mode.
Shulamith Bath Shmuel Ben Ari Firestone (born Feuerstein; January 7, 1945 – August 28, 2012) was a Canadian-American radical feminist writer and activist. Firestone was involved in the early development of second-wave feminism and a founding member of three radical-feminist groups: , , and . In September 1970, Firestone's The Dialectic of Sex: The Case for Feminist Revolution was published and became an influential feminist text.
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Women and children are always mentioned in the same breath ("Women and children to the forts!"). The special tie women have with children is recognized by everyone. I submit, however, that the nature of this bond is no more than shared oppression. And that moreover this oppression i intertwined and mutually reinforcing in such complex ways that we will be an able to speak of the liberation of women without also discussing the liberation of children, and since versa. The heart of woman's oppressing is her childbearing and childrearing roles. And in turn children are defined in relation to this role and are psychologically formed by it; what they become as adults and the sorts of relationships they are able to form determine the society they will ultimately built.
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Freudianism and Feminism grew from the same soil. It is no accident that Freud began his work at the height of the early feminist movement. We underestimate today how important feminist ideas were at the time. [...] The culture reflected prevailing attitudes and concerns: feminism was an important literary theme because it was then a vital problem. For writers wrote about what they saw: they described the cultural milieu around them. And in this milieu there was concern for the issues of feminism. The question of the emancipation of women affected every woman, whether she developed through the new ideas or fought them desperately. Old films of the time show the growing solidarity of women, reflecting their unpredictable behaviour, their terrifying and often disastrous testing of sex roles. No one remained untouched by the upheaval. And this was not only in the West: Russia at this time was experimenting at doing away with the family. At the turn of the century, then, in social and political thinking, in literary and artistic culture, there was a tremendous ferment of ideas regarding sexuality, marriage and family, and women’s role. Freudianism was only one of the cultural products of this ferment. Both Freudianism and feminism came as reactions to one of the smuggest periods in Western civilization, the Victorian Era, characterized by its family-centredness, and thus its exaggerated sexual oppression and repression. Both movements signified awakening: but Freud was merely a diagnostician for what feminism purports to cure.