By and large, feminist theory has been as inadequate as were the early feminist attempts to correct sexism. This was to be expected. The problem is so immense that, at first try, only the surface could be skimmed, the most blatant inequalities described. Simone de Beauvoir was the only one who came close to – who perhaps has done – the definitive analysis. Her profound work – which appeared as recently as the early fifties to a world convinced that feminism was dead – for the first time attempted to ground feminism in its historical base. Of all feminist theorists De Beauvoir is the most comprehensive and far-reaching, relating feminism to the best ideas in our culture.

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The myth of childhood has an even greater parallel in the myth of Femininity. Both women and children were considered asexual and thus"purer" than man. Their inferior status was ill-concealed under an elaborate "respect." One didn't discuss serious matters nor did one curse in from of women and children; one didn't openly degrade them, one did it behind their backs.

Women throughout history before the advent of birth control were at the continual mercy of their biology - menstruation, menopause, and "female ills," constant painful childbirth, wetnursing and care of infants, all of which made them dependent on males (whether brother, father, husband, lover, or clan, government, community-at-large) for physical survival.

Women and children are always mentioned in the same breath ("Women and children to the forts!"). The special tie women have with children is recognized by everyone. I submit, however, that the nature of this bond is no more than shared oppression. And that moreover this oppression i intertwined and mutually reinforcing in such complex ways that we will be an able to speak of the liberation of women without also discussing the liberation of children, and since versa. The heart of woman's oppressing is her childbearing and childrearing roles. And in turn children are defined in relation to this role and are psychologically formed by it; what they become as adults and the sorts of relationships they are able to form determine the society they will ultimately built.

Contrary to popular opinion, love is not altruistic. [...] Love is the height of selfishness: the self attempts to enrich itself through the absorption of another being. Love is being psychically wide-open to another. It is a situation of total emotional vulnerability. Therefore it must be not only the incorporation of the other, but an exchange of selves. Anything short of a mutual exchange will hurt one or the other party. There is nothing inherently destructive about this process. A little healthy selfishness would be a refreshing change. Love between two equals would be an enrichment, each enlarging himself through the other: instead of being one, locked in the cell of himself with only his own experience and view, he could participate in the existence of another – an extra window on the world. This accounts for the bliss that successful lovers experience: lovers are temporarily freed from the burden of isolation that every individual bears.

Empiricism itself is only the means, a quicker and more effective technique, for achieving technology’s ultimate cultural goal: the building of the ideal in the real world. One of its own basic dictates is that a certain amount of material must be collected and arranged into categories before any decisive comparison, analysis, or discovery can be made. In this light centuries of empirical science have been little more than the building of foundations for the breakthroughs of our own time and the future. The amassing of information and understanding of the laws and mechanical processes of nature (‘pure research’) is but a means to a larger end: total understanding of Nature in order, ultimately, to achieve transcendence.

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Culture then is the sum of, and the dynamic between, the two modes through which the mind attempts to transcend the limitations and contingencies of reality. These two types of cultural responses entail different methods to achieve the same end, the realization of the conceivable in the possible. In the first, the individual denies the limitations of the given reality by escaping from it altogether, to define, create, his own possible. In the provinces of the imagination, objectified in some way – whether through the development of a visual image within some artificial boundary, say four square feet of canvas, through visual images projected through verbal symbols (poetry), with sound ordered into a sequence (music), or with verbal ideas ordered into a progression (theology, philosophy) – he creates an ideal world governed by his own artificially imposed order and harmony, a structure in which he consciously relates each part to the whole, a static (and therefore ‘timeless’) construction. The degree to which he abstracts his creation from reality is unimportant, for even when he most appears to imitate, he has created an illusion governed by its own – perhaps hidden – set of artificial laws. (Degas said that the artist had to lie in order to tell the truth.) This search for the ideal, realized by means of an artificial medium, we shall call the Aesthetic Mode.

In the radical feminist view, the new feminism is not just the revival of a serious for . It is the second wave of the most important revolution in history. Its aim: overthrow of the oldest, most rigid class/caste system in existence, the class system based on sex – a system consolidated over thousands of years, lending the archetypal male and female roles an undeserved legitimacy and seeming permanence. In this perspective, the pioneer Western was only the first onslaught, the fifty-year ridicule that followed it only a first counter-offensive – the dawn of a long struggle to break free from the oppressive power structures set up by nature and reinforced by man.

Sex class is so deep as to be invisible. Or it may appear as a superficial inequality, one that can be solved by merely a few reforms, or perhaps by the full integration of women into the labour force. But the reaction of the common man, woman, and child - 'That? Why you can't change that! You must be out of your mind!' - is the closest to the truth. ]

Freudianism and Feminism grew from the same soil. It is no accident that Freud began his work at the height of the early feminist movement. We underestimate today how important feminist ideas were at the time. [...] The culture reflected prevailing attitudes and concerns: feminism was an important literary theme because it was then a vital problem. For writers wrote about what they saw: they described the cultural milieu around them. And in this milieu there was concern for the issues of feminism. The question of the emancipation of women affected every woman, whether she developed through the new ideas or fought them desperately. Old films of the time show the growing solidarity of women, reflecting their unpredictable behaviour, their terrifying and often disastrous testing of sex roles. No one remained untouched by the upheaval. And this was not only in the West: Russia at this time was experimenting at doing away with the family. At the turn of the century, then, in social and political thinking, in literary and artistic culture, there was a tremendous ferment of ideas regarding sexuality, marriage and family, and women’s role. Freudianism was only one of the cultural products of this ferment. Both Freudianism and feminism came as reactions to one of the smuggest periods in Western civilization, the Victorian Era, characterized by its family-centredness, and thus its exaggerated sexual oppression and repression. Both movements signified awakening: but Freud was merely a diagnostician for what feminism purports to cure.

Marriage is in the same state as the Church: both are becoming functionally defunct, as their preachers go about heralding a revival, eagerly chalking up converts in the day of dread. And just as God has been pronounced dead quite often but has this sneaky way of resurrecting himself, so everyone debunks marriage, yet ends up married.

And just as the internal contradictions of capitalism must become increasingly apparent, so must the internal contradictions of empirical science – as in the development of pure knowledge to the point where it assumes a life of its own, e.g., the atomic bomb. As long as man is still engaged only in the means – the charting of the ways of nature, the gathering of ‘pure’ knowledge – to his final realization, mastery of nature, his knowledge, because it is not complete, is dangerous. So dangerous that many scientists are wondering whether they shouldn’t put a lid on certain types of research. But this solution is hopelessly inadequate. The machine of empiricism has its own momentum, and is, for such purposes, completely out of control. Could one actually decide what to discover or not discover? That is, by definition, antithetical to the whole empirical process that Bacon set in motion.