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The first attempts to confront the modern world have been for the most part misguided. The , a famous example, failed at its objective of replacing a… - Shulamith Firestone
" "The first attempts to confront the modern world have been for the most part misguided. The , a famous example, failed at its objective of replacing an irrelevant easel art (only a few optical illusions and designy chairs mark the grave), ending up with a hybrid, neither art nor science, and certainly not the sum of the two. They failed because they didn’t understand science on its own terms: to them, seeing in the old aesthetic way, it was simply a rich new subject matter to be digested whole into the traditional aesthetic system. It is as if one were to see a computer as only a beautifully ordered set of lights and sounds, missing completely the function itself. The scientific experiment is not only beautiful, an elegant structure, another piece of an abstract puzzle, something to be used in the next collage – but scientists, too, in their own way, see science as this abstraction divorced from life – it has a real intrinsic meaning of its own, similar to, but not the same as, the ‘presence’, the ‘en-soi’, of modern painting. Many artists have made the mistake of thus trying to annex science, to incorporate it into their own artistic framework, rather than using it to expand that framework.
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About Shulamith Firestone
Shulamith Bath Shmuel Ben Ari Firestone (born Feuerstein; January 7, 1945 – August 28, 2012) was a Canadian-American radical feminist writer and activist. Firestone was involved in the early development of second-wave feminism and a founding member of three radical-feminist groups: , , and . In September 1970, Firestone's The Dialectic of Sex: The Case for Feminist Revolution was published and became an influential feminist text.
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Birth Name:
Shulamith Bath Shmuel Ben Ari Feuerstein
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Shulie
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Shulamith Bath Shmuel Ben Ari Firestone
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Additional quotes by Shulamith Firestone
Whether or not we can blame Freud personally, his failure to question society itself was responsible for massive confusion in the disciplines that grew up around this theory. Beset with the insurmountable problems that resulted from trying to put into practice a basic contradiction – the resolution of a problem within the environment that created it – his followers began to attack one component after another of his theory, until they had thrown the baby out with the bath.
Let me then say it bluntly: Pregnancy is barbaric. I do not believe, as many women are now saying, that the reason pregnancy is viewed as not beautiful is due strictly to cultural perversion. The child’s first response, ‘What’s wrong with that Fat Lady?’; the husband’s guilty waning of sexual desire; the woman’s tears in front of the mirror at eight months – are all gut reactions, not to be dismissed as cultural habits. Pregnancy is the temporary deformation of the body of the individual for the sake of the species. Moreover, childbirth hurts. And it isn’t good for you. Three thousand years ago, women giving birth ‘naturally’ had no need to pretend that pregnancy was a real trip, some mystical orgasm (that far-away look). The Bible said it: pain and travail. The glamour was unnecessary: women had no choice. They didn’t dare squawk. But at least they could scream as loudly as they wanted during their labour pains. And after it was over, even during it, they were admired in a limited way for their bravery; their valour was measured by how many children (sons) they could endure bringing into the world.
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