The first attempts to confront the modern world have been for the most part misguided. The , a famous example, failed at its objective of replacing an irrelevant easel art (only a few optical illusions and designy chairs mark the grave), ending up with a hybrid, neither art nor science, and certainly not the sum of the two. They failed because they didn’t understand science on its own terms: to them, seeing in the old aesthetic way, it was simply a rich new subject matter to be digested whole into the traditional aesthetic system. It is as if one were to see a computer as only a beautifully ordered set of lights and sounds, missing completely the function itself. The scientific experiment is not only beautiful, an elegant structure, another piece of an abstract puzzle, something to be used in the next collage – but scientists, too, in their own way, see science as this abstraction divorced from life – it has a real intrinsic meaning of its own, similar to, but not the same as, the ‘presence’, the ‘en-soi’, of modern painting. Many artists have made the mistake of thus trying to annex science, to incorporate it into their own artistic framework, rather than using it to expand that framework.

Revolutionary feminism is the only radical programme that immediately cracks through to the emotional strata underlying ‘serious’ politics, thus reintegrating the personal with the public, the subjective with the objective, the emotional with the rational – the female principle with the male.

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Women throughout history before the advent of birth control were at the continual mercy of their biology - menstruation, menopause, and "female ills," constant painful childbirth, wetnursing and care of infants, all of which made them dependent on males (whether brother, father, husband, lover, or clan, government, community-at-large) for physical survival.

Marriage is in the same state as the Church: both are becoming functionally defunct, as their preachers go about heralding a revival, eagerly chalking up converts in the day of dread. And just as God has been pronounced dead quite often but has this sneaky way of resurrecting himself, so everyone debunks marriage, yet ends up married.

Children, then, are not freer than adults. They are burdened by a wish fantasy in direct proportion to the restraints of their narrow lives; with an unpleasant sense of their own physical inadequacy and ridiculousness; with constant shame about their dependence, economic and otherwise (‘Mother, may I?’); and humiliation concerning their natural ignorance of practical affairs. Children are repressed at every waking minute. Childhood is hell.