I’m so grateful to Adichie for having written Half of a Yellow Sun with its focus on the Nigerian civil war. Her novel, alongside other books with th… - Sarah Ladipo Manyika

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I’m so grateful to Adichie for having written Half of a Yellow Sun with its focus on the Nigerian civil war. Her novel, alongside other books with the war at its core, including Soyinka’s memoir The Man Died, Chris Abani’s novella-in-verse Daphne’s Lot, and Chinelo Okparanta’s novel Under the Udala Trees, all give us a greater sense of the events and conditions of that horrific war. While the civil war is not the central focus of In Dependence, it forms part of the tragic backdrop to the story. In Dependence is deeply personal for me in that I am writing about my parents’ generation. This is not my parents’ story, but it could have been their story.

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About Sarah Ladipo Manyika

Sarah Ladipo Manyika (born 7 March 1968) is a British-Nigerian writer of novels, short stories, essays, and an active member of the literary community, particularly supporting and amplifying young writers and female voices.

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Additional quotes by Sarah Ladipo Manyika

In many ways, the story I chose to write is not what readers might associate with the archetypal immigrant or exile story. It’s not a story of someone who has arrived in a country without all the necessary documentation, or of someone living on the edges of society, just barely scraping by. I chose to write about a character who lives a life of the mind and is materially well off. Yet, as you highlight, she too faces hardships and loneliness in her old age.

I never thought about the confluence of the two books in the way you’ve described it. I love it! This is part of the beauty of writing, being surprised by what others see. Yes, Tayo and Morayo would certainly have a lot to talk about–their relationship might even go further than a platonic one. Who knows! There are certainly thematic similarities between the books, especially around the notion of independence and interdependence. I also see a chronological continuation between both novels. I left Tayo and Vanessa at the end of In Dependence in their sixties and with Like a Mule Bringing Ice Cream to the Sun I moved to a character in her seventies. It would follow, therefore that my next book might feature a character in her eighties and perhaps some younger characters too. Which, coincidentally, at least thus far…is the way book three is looking.

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