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It’s been very freeing to get out the suspense stage and be able to play the songs live. I can’t be happier. I’m pretty surprised that with this kind of content and showing this kind of vulnerability, it’s really sweet to see how people have responded in kind with their own vulnerability. It’s a very humane interaction. I think that everyone has familial issues that they deal with, so it’s a common ground that’s immediately laid down. Even in interviews, music writers have been more forthcoming with their own personal encounters. It’s so different than the run-of-the-mill releasing a record and doing promo and whatever. The shows have been so sweet, and it’s very rewarding to be that emotional and that vulnerable in front of people.
The best part of being a songwriter — beyond being able to make a living at it — is what I call the "heart payment" of a song. That's when somebody comes up after a concert and says, "My mom was a single mom, and 'You And Me Against The World' was a really important song to us." Or "We got married to 'We've Only Just Begun'" or 'Evergreen.' Or "'I Won't Last A Day Without You' got me through some hard times.'" That's heart payment for a songwriter.
It’s amazing to have people singing a song back to you on a stage. It’s great to finish recording a song and play it for your friend, and they love it. That feels good. But nothing feels better than when you’ve finished something and you know it’s good, and you know that those other responses will come in time.
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