Before Israel was founded, Jews were "rootless cosmopolitans"; now they're "settler colonialists". Antisemites sneer that Jews went "like sheep to th… - Hadley Freeman

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Before Israel was founded, Jews were "rootless cosmopolitans"; now they're "settler colonialists". Antisemites sneer that Jews went "like sheep to the slaughter" in the Holocaust. But when they fight back against terrorists, they are too elite, domineering and sure of themselves. The prospect of a ground invasion in Gaza fills every Jew I know with dread. More deaths there, more antisemitism here. Even when we "win", we lose.

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About Hadley Freeman

Hadley Clare Freeman (born 15 May 1978) is an American British journalist based in London. Since 2022, Freeman has written columns and features for The Sunday Times and previously, from 2000, for The Guardian until her 2022 resignation from the newspaper. She has also contributed to The Jewish Chronicle.

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Alternative Names: Hadley Clare Freeman
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My life and internet bandwidth are too limited to fight with Assange’s online army of defenders about his politics, but surely we can all agree that he probably won't be commissioned to write an etiquette guide any time soon. And if any Ecuadorean embassy staff members wish to share further stories, please consider me the WikiLeaks of your bad houseguest stories.

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[Donald] Sutherland was a real man. I don’t mean that in the salacious sense (well, not only in that way). I mean he was part of that great generation of 1970s actors that emerged when Hollywood studios finally realised women didn't only want to watch pretty boys like Robert Redford and Warren Beatty. Glorious joli laid — handsome ugly — actors became the defining look of that decade: Sutherland, Elliott Gould, Dustin Hoffman, Al Pacino, Richard Pryor, Gene Hackman, Jack Nicholson. Men who were masculine, but not necessarily macho. ... (The fact that the rubric for what constitutes beauty for actresses was and remains far narrower than it is for actors is a subject for another day.) These men looked intelligent and they looked filthy, a previously untapped combination in American cinema.

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