In the face of all kinds of derisions of all the many people, I still firmly believe in my mind that that unique village on the Japan Sea of which or… - Sakutarō Hagiwara

This utterly unknown dog follows me,
shabby, limping on its hind leg, a crippled dog's shadow.
Ah, I do not know where I'm going,
in the direction of the road that I go,
roofs of tenements are being pelted pelted in the wind,
in a gloomy, empty lot by the road,
bone-dry grass leaves are pliantly thinly moving.

[S]ome of my poems generally belong to a sensory melancholy, while certain others belong to a meditative melancholy. But, whichever it may be, the rhythm that I really want to convey is not it. It is not these "sensory things" or "idealistic things." Those things are no more than the costumes of my poetry. The essence of my poetry—that fragrant throb of my heart pulsing that becomes the motive of my poetry-making—lies above all else in the charm of the tender sound of the fife. It lies in the pitifulness of yearnings with no apparent cause for the world of reality. Thus I breathe into the fife's mouth hole, trying to play a mysterious and sensuous life.

The human lodges collapsed on the ground
are asleep like huge spiders.
In lonely pitch-dark nature
animals tremble with fear
and threatened by some Dream Demon
are howling sadly pale.