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..the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concu… - Fernand Léger
" "..the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.
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About Fernand Léger
Joseph Fernand Henri Léger (February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. He started his art in early cubism and developed a style in which the human figure in relation to the modern times was his central aim to represent. He and his art was engaged with communism and with the worker's life.
Also Known As
Alternative Names:
Fernand Leger
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Fernan Lezeh
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Fernan Lez'eh
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Fernan Lezhe
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Ferunan Reje
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F. Leger
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Leger
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fernand leger
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Fernad Léger
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Léger
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Lezhe, Fernan
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Additional quotes by Fernand Léger
Quote in Un Nouveau Realisme, la Couleur Pure et l'Object, Fernand Léger, Ms 1935
The love of simplicity, precision and clarity, is totally Western. Today's rational plastic form does not come from the Mediterranean or the Orient; it comes from the North [of France]. The North, younger, quicker less subtle, has seen straight to the heart of the new problem of construction that is posed by modern life.
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When one crosses a landscape by automobile or express train, it becomes fragmented; it loses in descriptive value but gains in synthetic value. The view through the door of the railroad car or the automobile windshield, in combination with the speed, has altered the habitual look of things. A modern man registers a hundred times more sensory impressions than an eighteenth-century artist; so much so that our language, for example is full of diminutives and abbreviations.
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