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Writing a good song is not mimicry, or replication, or pastiche, it is the opposite, it is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, one’s perilousness, one’s smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering.

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Writing songs has a lot to do with your sexuality. I danced for awhile and just being around that made me realize what people use. And if you grow up blessed with a certain beauty or a certain intelligence that enhances your beauty, you can get into a better position in life.

Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.

And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.

I find it easy to write songs. I been writing songs for a long time and the words to the songs aren't written out just for the paper; they're written as you can read it, you dig. If you take whatever there is to the song away—the beat, the melody—I could still recite it. I see nothing wrong with songs you can't do that with either—songs that, if you took the beat and the melody away, they wouldn't stand up because they're not supposed to do that, you know. Songs are songs.

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A good song gathers the years in. It's why you can sing it with such conviction 40 years after it's been written. A good song takes on more meaning as the years pass by.

A song is like a dream, and you have to make it come true. They're like strange countries that you have to enter. You can write a song anywhere, in a railroad compartment, on a boat, on horseback — it helps to be moving. Sometimes people who have the greatest talent for writing songs never write any because they are not moving.

What I have to say is all in the music. If I want to say anything, I write a song.

I'm a perfectionist. I like to get it right. I like to get it good. And you know, writing songs is not -- it's not the kind of thing that you can count on every day. You never know what's going to come or if it's going to come. So you -- you know, it's an uncertain kind of a thing.

I think a lot of what motivates me songwriting-wise is — this might sound silly — but, when I listen to a song that I love, it kind of makes me feel better. I think that’s the impetus behind everything I write; I want to make people feel better, whether it’s myself, or a friend, or whoever. I don’t know how to say this without sounding corny or banal, but I know a lot of people who are very hard on themselves. So this is sort of a cheerleading lullaby.

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Do you want to know how to write a song? Song-writing is about counterpoint. Counterpoint is the key. Putting two disparate images beside each other and seeing which way the sparks fly. Like letting a small child in the same room as, I don't know, a Mongolian psychopath or something, and just sitting back and seeing what happens. Then you send in a clown, say, on a tricycle, and again, you wait, and you watch ... And if that doesn't do it... you shoot the clown.

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