I have been blessed with an enormity of material. I can be Chekhovian and Tolstoyan-with melancholy and philosophical perspectives on the breaking of… - Bharati Mukherjee

I am always amazed when reviewers or some literary critics lump all Asian American writers together as being a homogenous group. Whereas within the subcontinental group of immigrants and naturalized American citizens here, we retain our old world ethnic differences. It's the narcissism of the slightest differences, as Freud might say. (2002)

I have tried very hard as a novelist to say, "Novels are about individuals and especially larger than life individuals." My protagonists are very feisty characters. And, you know, that there is no one unified story about the immigrant experience or the immigrant passage and what I hope I've done in DESIRABLE DAUGHTERS is show how fractured the responses to that whole odyssey of moving, pulling up your roots from your original country and re-rooting yourself in an adopted country is.

I'm amazed at how fast the interest has grown in writing in English by writers of South Asian origin, whether they're living in India, living in South Asia, or they are expatriate writers living here or immigrant American writers like Jhumpa Lahiri and me. The size of the community of such writers and the body of work produced has happened so fast. (2007)