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For Wa Ngugi and Beach, the English metaphysical empire, refers to ‘an empire of language and literature that would outlive the actual British empire… - Bibi Bakare-Yusuf
" "For Wa Ngugi and Beach, the English metaphysical empire, refers to ‘an empire of language and literature that would outlive the actual British empire’ (p19). The crowning of English language (and to a lesser extent the other colonial languages) as the medium to transmit and transmute African literary expression, according to Wa Ngugi was (and I agree with him) inaugurated in 1962 at the “African Writers of English Expression” conference that convened at Makerere University, in Uganda. Even the title of the conference already suggests that the quality and depth of African literary tradition will be determined in English, leading to the erasure of earlier literature in African languages. What a waste! What a wasted and a missed opportunity to break away from colonial linguistic capture!
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About Bibi Bakare-Yusuf
Bibi Bakare-Yusuf Hon. FRSL (born 1970) is a Nigerian academic, writer and editor from Lagos, Nigeria. She is the co-founder of the publishing company Cassava Republic Press in 2006 in Abuja. Bakare-Yusuf was elected an Honorary Fellow of the Royal Society of Literature in 2019, as well as having been selected as a Yale World Fellow, a Desmond Tutu Fellow and a Frankfurt Book Fair Fellow.
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What I am interested in is how we create what I am calling the African archival future which will then form part of a global archive. Publishing for me is therefore essentially the work of archival creation and a potential tool of power and control, a tool that helps to shape how we view ourselves and make sense of the world.
We must take ourselves more seriously and value what we do, even the minutia action and document. There’s no other time in history then now when archival creation is available to us all. All of us can contribute to the archive. We do not have to wait for the great archival institutions of the past which are usually controlled and organised by government institutions or some royal court record keepers. The time is now!
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Will they find only the record of African writing that has been served up from the conveyor belt of large corporate and indie publishing houses of western metropolis? Will some of the mediocre writing that is currently being peddled as the pinnacle of African excellence and genius by the legitimatising authority of the west be the only thing they have to subsist on and account for as our own contribution to civilisation and to the global archive of ideas? Or will they only find the realist tradition of writing bequeathed to us from the Achebe generation?
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