I understand being the first generation of black people who kind of made it out, my parents were very nervous about acting.

My mom suggested studying acting in college, but I was a bit scared to choose that path because I couldn't wrap my head around the drama school audition process.

I would not know because I was just a beginner, but many people were: including my parents whom at first hesitated with me pursuing acting rather than my studies, matter of fact afterwards they encouraged me to discover my talent and work on it.

I grew up in a family where no one was in the entertainment business. So stand-up and acting were seen as something unrealistic. I always thought it was just people in L.A. and New York that became actors or comedians.

didn’t go to school for acting and I’ve never had a lesson in my life but when I was in primary and high school I was in all the plays. In Grade 9, when I was supposed to choose subjects, I wanted to take Drama but my parents were like ‘No honey, we are not paying for you to play games on a stage

In most Asian-American families, if a son or daughter says they want to be in theater, nobody's embracing them for that. And that's a problem. Because when you're discouraging those people at that age, it reduces the number of participants in the cultural life of the community.

I didn't want to be known as the reality-show star trying to be an actress, so I kept a lot of the failed auditions to myself.

When I failed and took my gap year, my parents were stressing about my situation. I always loved acting and acted in church productions, but I was afraid of it

I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to - until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.

I was petrified when [my parents] first saw me [perform]. Well, also: because I wasn't really funny as a kid, and I felt like I was, y'know, exposing this alter-ego. Y'know? Plus, here I am getting up on stage and manipulating these people, y'know, into laughing. It's a power thing! Y'know? And it's weird to do it in front of your parents.

One of the reasons I've hesitated to be an actor is you have to do talk shows and interviews. I'm really a private person and not into telling everything about me. Michelle [Pfeiffer] told me to think of doing publicity as the work and acting as the fun part.

When I arrived in Los Angeles and began going on auditions, I was never considered for Latina roles. I was "ethnic" but not decidedly Latina looking. If they were hiring a Latina to play a Latina, they wanted her to "look like a Latina" e.g. high cheek bones, dark skin and a mane of black hair. Well, I just couldn't get arrested by casting directors as a Latina. I think this led to the realization that I was going to have to blaze a trail for myself because I didn't fit into one particular "type."…

The irony, like I said, is that I didn't pursue acting when I was a little kid. But as I got older, in my late teens and early 20s, I really took it seriously. That’s what I wanted to do, what I wanted my profession to be. But when I started pursuing it, there were just not a lot of opportunities for me. It was extremely difficult for an Asian actor at that time. In Hollywood, very, very few child actors make smooth and successful transitions into adult acting. It's very difficult for many, but I think it's a hundred times—a thousand times—more difficult when you are an Asian actor. I found myself at a crossroads at a very early age. Do I want to continue down a path where I just didn't see many opportunities for myself? Or do I want to go down a path, an unknown path, where I really don't know what I want to do? And I struggled for a long, long time. And at the same time, I was just hoping that phone would ring with an amazing offer to be in a movie like Indiana Jones or The Goonies, or a great role for an Asian actor, and it never came. I was so dispirited and disheartened.

Because I came from a very undiverse school and bunch of university friends, I think that I’ve hung on, on the diversity issue, to the feeling that I wouldn’t know how to write those parts. I think I was just sort of stupid and wrong about that. [...] I just don't know. I feel as though me, my casting director, my producers, just didn't think about it, just didn't look outwards enough.