The Diary of Vaslav Nijinjsky reaches a limit of sincerity beyond any of the documents that we have referred to on this study. There are other modern… - Colin Wilson

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The Diary of Vaslav Nijinjsky reaches a limit of sincerity beyond any of the documents that we have referred to on this study. There are other modern works that express the same sense that civilized life is a form of living death; notably the poetry of T. S. Eliot and the novels of Franz Kafka; but there is an element of prophetic denunciation in both, the attitude of healthy men rebuking their sick neighbors. We possess no other record of the Outsider's problems that was written by a man about to be defeated and permanently smashed by those problems.

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About Colin Wilson

Colin Henry Wilson (26 June 1931 – 5 December 2013) was a British writer, known for his first book The Outsider and over one hundred other books, including seventeen novels and many works in criminology, existential philosophy, psychology, religion, the occult, mysticism, wine, and music.

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Birth Name: Colin Henry Wilson

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My own experience of mescalin is described in the appendix of Beyond the Outsider. My 'trip' was pleasant enough, although I experienced none of the visual effects described by Huxley; I was plunged into an agreeable but sluggish dreaminess. In this torpid state, I became aware of the problem mentioned by Huxley: 'How was this cleansed perception to be reconciled with a proper concern with human relations . . . ?' -- in my case, with my concern for my wife and three-year-old daughter? Although I personally felt nothing but a sense of relaxation and trustfulness, I was aware that, in practice, the world is full of dangers, and in this state, I was incapable of the necessary vigilance; it made me feel guilty. I was neglecting my job of looking after them. Moreover, my ability to think was impaired. Huxley remarks that he found his own ability to remember and 'think straight' to be little, if at all, reduced. I could 'think straight', but I could not think to any purpose. Even the feeling of universal love was not particularly pleasant; I compared it to having a large alsation dog who puts his paws on your shoulder and licks your face.

The 'open' mind of the poet and artist can sense realities beyond the reach of our normal senses. The real problem is that our materialistic assumptions have a number of false premises built into them: it is only when we recognize this that we see there is no sharp dividing line between the everyday world and the invisible world of the clairvoyant.

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